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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Search Results

William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
George Romney Study of Two Figures and a Face
George Romney, 1734–1802
Study of Two Figures and a Face
undated
George Romney Female Figure
George Romney, 1734–1802
Female Figure
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Figure Study 5
George Romney, 1734–1802
Figure Study 5
undated
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
undated
George Romney Figure Study 7
George Romney, 1734–1802
Figure Study 7
undated
George Romney Figure Composition Study 13
George Romney, 1734–1802
Figure Composition Study 13
undated
George Romney Figure Composition Study 30
George Romney, 1734–1802
Figure Composition Study 30
undated
George Romney Figure Composition Study 32
George Romney, 1734–1802
Figure Composition Study 32
undated
George Romney Figure Composition Study 33
George Romney, 1734–1802
Figure Composition Study 33
undated
George Romney Figure Composition Study 34
George Romney, 1734–1802
Figure Composition Study 34
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Male Head 2
George Romney, 1734–1802
Male Head 2
undated
George Romney Figure Composition Study 36
George Romney, 1734–1802
Figure Composition Study 36
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
undated
George Romney Figure Composition Study 38
George Romney, 1734–1802
Figure Composition Study 38
undated
George Romney Figure Composition Study 39
George Romney, 1734–1802
Figure Composition Study 39
undated
George Romney Figure Composition Study 40
George Romney, 1734–1802
Figure Composition Study 40
undated
George Romney Study of Two Seated Figures
George Romney, 1734–1802
Study of Two Seated Figures
undated
George Romney Study of a Standing Figure
George Romney, 1734–1802
Study of a Standing Figure
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Study 4
George Romney, 1734–1802
Figure Study 4
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Study of a Seated Woman
George Romney, 1734–1802
Study of a Seated Woman
undated
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Composition of Two Figures
George Romney, 1734–1802
Composition of Two Figures
undated
George Romney Figure Study Eleven
George Romney, 1734–1802
Figure Study Eleven
undated
George Romney Figure Study 6
George Romney, 1734–1802
Figure Study 6
undated
George Romney Figure Composition Study 26
George Romney, 1734–1802
Figure Composition Study 26
undated
George Romney Figure Composition Study 27
George Romney, 1734–1802
Figure Composition Study 27
undated
George Romney Figure Study 3
George Romney, 1734–1802
Figure Study 3
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Figure Composition Study 25
George Romney, 1734–1802
Figure Composition Study 25
undated
George Romney Figure Composition Study 17
George Romney, 1734–1802
Figure Composition Study 17
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
George Romney Figure Study 2
George Romney, 1734–1802
Figure Study 2
undated
George Romney Figure Composition Study 23
George Romney, 1734–1802
Figure Composition Study 23
undated
George Romney Figure Composition Study 24
George Romney, 1734–1802
Figure Composition Study 24
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 16
George Romney, 1734–1802
Figure Composition Study 16
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 49
George Romney, 1734–1802
Figure Composition Study 49
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Figure Study 10
George Romney, 1734–1802
Figure Study 10
undated
George Romney Figure Study of a Woman
George Romney, 1734–1802
Figure Study of a Woman
undated
George Romney Figure Study Twelve
George Romney, 1734–1802
Figure Study Twelve
undated
George Romney Figure Study Thirteen
George Romney, 1734–1802
Figure Study Thirteen
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 8
George Romney, 1734–1802
Figure Composition Study 8
undated
George Romney Figure Study 8
George Romney, 1734–1802
Figure Study 8
undated
George Romney Figure Composition Study 9
George Romney, 1734–1802
Figure Composition Study 9
undated
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
undated
George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
undated
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Figure Composition Study 14
George Romney, 1734–1802
Figure Composition Study 14
undated
Sir Walter Thomas Monnington Landscape with Shepherd
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
John William North A Young Lover
John William North, 1842–1924
A Young Lover
1867
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
Sir John Everett Millais The Dying Man
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
Sir John Everett Millais The Blind Man
Sir John Everett Millais, 1829–1896
The Blind Man
1853
Sir John Everett Millais Study for The Woodman's Daughter
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
Alexander Marshal St. Jerome in his Study
Alexander Marshal, active 1651–died 1682
St. Jerome in his Study
1650
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
Laura Sylvia Gosse Woman in Bed
Laura Sylvia Gosse, 1881–1968
Woman in Bed
ca. 1920
Aubrey Vincent Beardsley The Lady at the Dressing Table
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Richard Redgrave The Reduced Gentleman's Daughter
Richard Redgrave, 1804–1888
The Reduced Gentleman's Daughter
undated
Sir George Clausen Heaving Sacks in the Barn at Amberden Hall, Essex
Sir George Clausen, 1852–1944
Heaving Sacks in the Barn at Amberden Hall, Essex
undated
John Copley French Songs
Print made by John Copley, 1875–1950
French Songs
1946
John Copley Fiesta Mallorquina
Print made by John Copley, 1875–1950
Fiesta Mallorquina
1932
John Copley Morning on a Hillside
Print made by John Copley, 1875–1950
Morning on a Hillside
1936
John Copley An Autumn Afternoon on Hampstead Heath
Print made by John Copley, 1875–1950
An Autumn Afternoon on Hampstead Heath
1939
Walter Richard Sickert Le Rideau, Gaite Montparnasse
Walter Richard Sickert, 1860–1942
Le Rideau, Gaite Montparnasse
undated
Callender Flash Maccaroni
Print made by Callender, active mid–18th century
Flash Maccaroni
1748
John Copley Athletes Dressing
Print made by John Copley, 1875–1950
Athletes Dressing
1912
Callender Voluntier
Print made by Callender, active mid–18th century
Voluntier
1745
Callender John's Coffee House
Print made by Callender, active mid–18th century
John's Coffee House
1745
Callender Study of a Man with a Cutlass
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748
Richard Parkes Bonington Bergues - La Tour du Marché
Print made by Richard Parkes Bonington, 1802–1828
Bergues - La Tour du Marché
1824
Richard Parkes Bonington Caen - Eglise Saint-Sauveur
Print made by Richard Parkes Bonington, 1802–1828
Caen - Eglise Saint-Sauveur
1824