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Date 1824

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Ploughing Scene in Suffolk
Creator:
John Constable, 1776–1837
Date:
1824 to 1825
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 x 30 inches (42.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Hove Beach
Creator:
John Constable, 1776–1837
Date:
1824 to 1828
Materials & Techniques:
Oil on paper laid on board
Dimensions:
9 1/8 x 14 1/8 inches (23.2 x 35.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Fish-market near Boulogne
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Oil on canvas
Dimensions:
32 3/8 x 48 1/4 inches (82.2 x 122.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Near Quillebeuf
Creator:
Richard Parkes Bonington, 1802–1828
Date:
between 1824 and 1825
Materials & Techniques:
Oil on canvas
Dimensions:
16 3/4 x 21 inches (42.5 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
Creator:
George Vincent, 1796–1832
Date:
1824
Materials & Techniques:
Oil on panel
Dimensions:
15 3/8 x 22 inches (39.1 x 55.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Passing of the Great Emancipation Act
Creator:
George Jones, 1786–1869
Date:
ca. 1829
Materials & Techniques:
Oil on board
Dimensions:
10 1/2 x 18 1/2 inches (26.7 x 47 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
John Smith Barry’s Private Drag and Grey Team
Creator:
James Pollard, 1792–1867
Date:
1824
Materials & Techniques:
Oil on canvas
Dimensions:
32 x 48 inches (81.3 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Greenwich Hospital from the Observatory with a Distant View of London
Creator:
Thomas Christopher Hofland, 1777–1843
Date:
1824
Materials & Techniques:
Oil on paper laid to panel
Dimensions:
9 7/16 x 13 3/16 inches (24 x 33.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Old Smithfield Market
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
1824
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 27 1/2 inches (50.8 x 69.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Sketch for `Foresters Stalking Deer'
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1824 and 1827
Materials & Techniques:
Oil over charcoal outline on panel
Dimensions:
5 7/8 x 8 inches (14.9 x 20.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Rainbow, near Salisbury
Creator:
John Dunthorne, 1798–1832
Date:
ca. 1829
Materials & Techniques:
Oil on canvas
Dimensions:
10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Penshurst Place, Kent
Creator:
Patrick Nasmyth, 1787–1831
Date:
between 1824 and 1830
Materials & Techniques:
Oil on panel
Dimensions:
18 x 24 inches (45.7 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Sylvia and the Wounded Stag
Creator:
Joseph Gott, 1786–1860
Date:
1824
Materials & Techniques:
Terracotta
Dimensions:
Overall: 6 11/16 inches (17 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A Cow Lodge with a Mossy Roof
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1829
Materials & Techniques:
Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cornfields with Barn, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1829
Materials & Techniques:
Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Bridge near Salisbury Court, Perhaps Milford Bridge
Creator:
John Constable, 1776–1837
Date:
ca. 1829
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 x 13 1/8 inches (22.9 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone Harbour and Coast to Dover
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1829
Materials & Techniques:
Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 17 7/8in. (28.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of 6 (2): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of 6 (4): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of 6 (5): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Nemi

Nemi
Creator:
James William Giles, 1801–1870
Date:
1824
Materials & Techniques:
Brown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Villa Adrianna, Rome
Creator:
James William Giles, 1801–1870
Date:
1824
Materials & Techniques:
Brown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Circassians
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of 6 (3): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of 6 (6): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Seven: Shakespeare's Seven Ages of Man
Creator:
Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching, 1 leaf of letterpress and the original wrappers
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of a set of 6: A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peat-Gatherers
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Outskirts of the Forest
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Changing Pasture
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Welsh Funeral
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lancaster Sands
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Summer Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Honey, Fonthill, Wiltshire
Creator:
William Rider, active 1824–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Winter Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fish Market, Hastings
Creator:
William Henry Harriott, active 1811, died 1839
Date:
1824
Materials & Techniques:
Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. A Minuet

A Minuet
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures and Animals in a Vineyard
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1829
Materials & Techniques:
Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Georgiana, Duchess of Bedford
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 7 inches (22.2 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
More Park from Rivers of England
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, touched proof; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10in. (19.4 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Russian Cossacks at a Boathouse on the Banks of the Don
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Watercolor and graphite on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. William Wilberforce and Child
Creator:
John Linnell, 1792–1882
Date:
1824
Materials & Techniques:
Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:
Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 18 7/8 inches (33.3 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Hudson Highlands
Creator:
William Henry Bartlett, 1809–1854
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan
Deepdene near Dorking
Creator:
Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Coppersmith's, Shoe Lane
Creator:
Henry William Burgess, active 1809–1860
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Effigy of a Crusader, Stisted Church
Creator:
George Richmond, 1809–1896
Date:
1824-1896
Materials & Techniques:
Graphite and white gouache on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 × 19 3/4 inches (34 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Richmond

Richmond
Creator:
William Henry Bartlett, 1809–1854
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman with Ringlets, Standing
Creator:
William Mulready, 1786–1863
Date:
1824
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 4 1/8 inches (21 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sandwich Islands Group
Creator:
Julia Swinburne, ca. 1795–1893
Date:
June 5, 1824
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Infant
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

80. The Lover

The Lover
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 11 1/4 inches (23.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

81. Dust O.

Dust O.
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 9 1/2 x 15 9/16in. (24.2 x 39.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss-Ann-Thropy
Creator:
Print made by Henry Heath, active 1824–1835
Date:
undated
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/8 × 9 11/16 inches (35.3 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alexander Morison M.D.
Creator:
M. Gauci, 1810–1846
Date:
ca.1829
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 13 7/16 × 9 5/8 inches (34.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 x 14 1/2 inches (26.4 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection