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Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
I. H. Gascoigne Government House, Belize from Fort St. George, British Honduras
I. H. Gascoigne, active 1830s–1840s
Government House, Belize from Fort St. George, British Honduras
ca. 1830
Maddocks The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London
Print made by Maddocks, active 1825
The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London
1825
Edward Radclyffe Stag at the Edge of a Pond
Print made by Edward Radclyffe, 1809–1863
Stag at the Edge of a Pond
undated
William Gauci The Sea Walls, from the Leigh Wood Quarry, Clifton
William Gauci, active 1825–1854
The Sea Walls, from the Leigh Wood Quarry, Clifton
undated
Samuel William Reynolds Dutch School, Plate 2
Print made by Samuel William Reynolds, 1773–1835
Dutch School, Plate 2
1825
unknown artist Hastings Castle
unknown artist
Hastings Castle
ca. 1830
unknown artist Sidmouth Cliffs
unknown artist
Sidmouth Cliffs
ca. 1830
unknown artist Above Newhaven
unknown artist
Above Newhaven
ca. 1830
Unknown artist (Company style) Basket Makers
Unknown artist (Company style)
Basket Makers
ca. 1830
Alfred Diston Peasants of Hierro
Alfred Diston, active 1818–1829
Peasants of Hierro
1825
unknown artist A Church Near Alicante
unknown artist
A Church Near Alicante
ca. 1830
Charles Robert Cockerell Design for Approaches to London Bridge
Charles Robert Cockerell, 1788–1863
Design for Approaches to London Bridge
ca. 1830
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
unknown artist A Tiger Seizing a Bullock in a Pass
Print made by unknown artist
A Tiger Seizing a Bullock in a Pass
ca. 1830
Alfred Diston Charcoal seller, Tenerife
Alfred Diston, active 1818–1829
Charcoal seller, Tenerife
1825
Alfred Diston Canary Fisherman
Alfred Diston, active 1818–1829
Canary Fisherman
1825
Alfred Diston Natives of La Palma
Alfred Diston, active 1818–1829
Natives of La Palma
1825
Alfred Diston Native of Tacocronte, Tenerife
Alfred Diston, active 1818–1829
Native of Tacocronte, Tenerife
1825
Alfred Diston Peasants of Ycod el alto, Tenerife
Alfred Diston, active 1818–1829
Peasants of Ycod el alto, Tenerife
1825
Alfred Diston Peasant of Hierro
Alfred Diston, active 1818–1829
Peasant of Hierro
1825
Alfred Diston View of La Rambla de Castro near Port Orotava, Tenerife
Alfred Diston, active 1818–1829
View of La Rambla de Castro near Port Orotava, Tenerife
1825
Miles Edmund Cotman Irmingland Hall, Norfolk
Miles Edmund Cotman, 1810–1858
Irmingland Hall, Norfolk
undated
Miles Edmund Cotman Cottage with Grazing Horses
Miles Edmund Cotman, 1810–1858
Cottage with Grazing Horses
undated
Miles Edmund Cotman View of Norwich
Miles Edmund Cotman, 1810–1858
View of Norwich
undated
George Chinnery Studies of Chinese Junks and Boatmen
George Chinnery, 1774–1852
Studies of Chinese Junks and Boatmen
undated
George Chinnery Figure Seated by an Indian Temple
George Chinnery, 1774–1852
Figure Seated by an Indian Temple
undated
George Chinnery Monte Fort, Macao
George Chinnery, 1774–1852
Monte Fort, Macao
undated
George Chinnery A Chinese Junk
George Chinnery, 1774–1852
A Chinese Junk
undated
David Cox London Bridge
David Cox, 1783–1859
London Bridge
before 1831
unknown artist Kowloon China, looking towards Hong Kong Island
unknown artist
Kowloon China, looking towards Hong Kong Island
undated
John Sell Cotman Bridge in a Continental Town
John Sell Cotman, 1782–1842
Bridge in a Continental Town
ca. 1830
Thomas Cundy Design for Grosvenor House, London
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
between 1825 and 1826
William Daniell Quay at Straddon Point Near Plymouth
Print made by William Daniell, 1769–1837
Quay at Straddon Point Near Plymouth
1825
John Sell Cotman Château Navarre, near Evreux, Normandy
John Sell Cotman, 1782–1842
Château Navarre, near Evreux, Normandy
ca. 1830
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
A faithful tribute of affection! To my love.
A faithful tribute of affection! To my love
mid-19th century
Valentine card.
Valentine card
mid-19th century
Glasgow looking glass.
Glasgow looking glass
[1825]
Cox, David, 1783-1859. The young artist's companion, or, Drawing-book of studies and landscape embellishments :
Cox, David, 1783–1859
The young artist's companion, or, Drawing-book of studies and landscape embellishments
1825
A heart that boasts a tender flame, sincere and constant too :
A heart that boasts a tender flame, sincere and constant too
mid-19th century
Valentine card.
Valentine card
mid-19th century
Dearest name thee happy time that I in truth may all you mine.
Dearest name thee happy time that I in truth may all you mine
mid-19th century
I would these flowers had lips to tell that I do love thee true and well.
I would these flowers had lips to tell that I do love thee true and well
mid-19th century
Wimpory & Son (Firm : Manchester, England) Billhead recording purchases by Mrs. Davenport from Wimpory & Son, ladies shoe makers, Manchester.
Wimpory & Son (Firm : Manchester, England)
Billhead recording purchases by Mrs. Davenport from Wimpory & Son, ladies shoe makers, Manchester
approximately 1825
Love has triumphed.
Love has triumphed
mid-19th century
The majestic game of the Asiatic ostrich.
The majestic game of the Asiatic ostrich
[approximately 1825]
Silver & Co. (London, England), creator. Billhead of Silver & Co., clothiers, London, recording clothing purchased by Mrs. Lambert.
Silver & Co. (London, England)
Billhead of Silver & Co., clothiers, London, recording clothing purchased by Mrs. Lambert
1825
The gift receive the deed approved ...
The gift receive the deed approved ..
mid-19th century
What gives us comfort in this world of woe? ...
What gives us comfort in this world of woe? ..
mid-19th century
Perspectivische Ansicht des Tunnels unter der Themse.
Perspectivische Ansicht des Tunnels unter der Themse
ca. 1825]
Hakewill, James, 1778-1843. A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821 /
Hakewill, James, 1778–1843
A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821
1825
My heart is where thou art!
My heart is where thou art!
mid-19th century
I am thine love.
I am thine love
mid-19th century
When the hearts feeling burns with concealing, oh, what an anguish silent to languish.
When the hearts feeling burns with concealing, oh, what an anguish silent to languish
mid-19th century
Music is the voice of love. My love for thee is pure and ardent.
Music is the voice of love. My love for thee is pure and ardent
mid-19th century
Kruyff, Cornelis de, 1771-1854, ill. Vues choisies d'Amsterdam et ses environs /
Kruyff, Cornelis de, 1771–1854
Vues choisies d'Amsterdam et ses environs
[1825?]
We must be united!
We must be united!
mid-19th century
Muriel, Catharine. Catharine Muriel commonplace book :
Muriel, Catharine
Catharine Muriel commonplace book
1825-circa 1840
London manners and dandy fashions.
London manners and dandy fashions
[approximately 1825?]
Sinclair, George, 1786-1834, author. Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey :
Sinclair, George, 1786–1834
Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey
MDCCCXXV [1825]
By penning these misc lines, to prove a pledge of my unceasing love ...
By penning these misc lines, to prove a pledge of my unceasing love ..
mid-19th century
T'is happiness we have in view, and mine is in possessing you.
T'is happiness we have in view, and mine is in possessing you
mid-19th century
I wait a return of thy love.
I wait a return of thy love
mid-19th century
This small tribute, dearest, take keep it for thy lovers sake ...
This small tribute, dearest, take keep it for thy lovers sake ..
mid-19th century
May mutual loves count us blest.
May mutual loves count us blest
mid-19th century
Dearest name the happy time, that I in truth may call you mine.
Dearest name the happy time, that I in truth may call you mine
mid-19th century
Constant as the sun in heaven above, this heart that thou has won will be to see in love.
Constant as the sun in heaven above, this heart that thou has won will be to see in love
mid-19th century
A love, pure and ardent to thee I declare ...
A love, pure and ardent to thee I declare ..
mid-19th century
Oh speed fair sun! Thy face divine and bring my love to me.
Oh speed fair sun! Thy face divine and bring my love to me
mid-19th century
Havell, Robert, 1769-1832. The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature,
Havell, Robert, 1769–1832
The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature,
[1825]
How sweet upon the features of the one we hold most dear ...
How sweet upon the features of the one we hold most dear ..
mid-19th century
Can you keep a secret? If so open this.
Can you keep a secret? If so open this
mid-19th century
To my pretty Valentine!
To my pretty Valentine!
mid-19th century
Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee.
Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee
mid-19th century
To her I love.
To her I love
mid-19th century
London illustrated :
London illustrated
[1825]
A token of faithful love! To my dearest Valentine!
A token of faithful love! To my dearest Valentine!
mid-19th century
I would these flowers had lips to tell that I do love thee true and well.
I would these flowers had lips to tell that I do love thee true and well
mid-19th century
The Chinese sensitive leaf :
The Chinese sensitive leaf
[approximately 1825?]
Engravings, to be sold by auction, by Mr. Gaskill :
Engravings, to be sold by auction, by Mr. Gaskill
[approximately 1825]
St. Valentine's Day at length is here to lovers still held dear
St. Valentine's Day at length is here to lovers still held dear
mid-19th century