De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
9
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
10
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
11
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
12
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
13
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
14
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
15
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
16
Susannah Wales, Lady Malet, 1779–1868
A Cheetah Hunting Party with Charles Warre Malet
undated
17
Gangaram Chintaman Tambat, active 1790s
Jeytie Lifting Weights
undated
18
Gangaram Chintaman Tambat, active 1790s
Three Jeyties Exercising
ca. 1792
19
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
20
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties Weightlifting
undated
21
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
22
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
23
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Weightlifting
undated
24
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Exercising
undated
25
Attributed to Gangaram Chintaman Tambat, active 1790s
Vishnu Riding a Horse Composed of Women
undated
26
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
27
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
28
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
29
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
30
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
31
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
32
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
33
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
34
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
35
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
36
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
37
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
38
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
39
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
40
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
41
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
42
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
43
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
44
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
45
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
46
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
47
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
48
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
49
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
50
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
51
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
52
James Gwin, 1700–1769
Seconde Position du Salut
1763
53
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
54
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
55
James Gwin, 1700–1769
Premiere Position du Salut
1763
56
James Gwin, 1700–1769
Troisieme Position du Salut
1763
57
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
58
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
59
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
60
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
61
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
62
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
63
Sawrey Gilpin, 1733–1807
Flying Christian From the Life
1760
64
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
65
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
66
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
67
Sawrey Gilpin, 1733–1807
A Horse and Three Groomers
1760
68
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
69
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
70
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
71
unknown artist
Morning
1799
72
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
73
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
74
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
75
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
76
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
77
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
78
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
79
James Seymour, 1702–1752
A Boar Hunt
undated
80
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
81
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
82
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
83
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
84
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
85
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
86
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
87
James Seymour, 1702–1752
Coursing - After the Kill
undated
88
James Seymour, 1702–1752
Flying Childers and Grooms
undated
89
James Seymour, 1702–1752
Conqueror Going to Start
undated
90
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
91
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
92
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
93
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
94
unknown artist
Tattersall's Training School
1771
95
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
96
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
97
John Wootton, 1682–1764
A Stag Hunt
undated
98
John Vanderbank, 1694–1739
The Scholar Placed in His Seat Without Styrrops
1729
99
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On