America. A Prophecy, Plate 17, "On Albions Angels...."
1793
4
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
5
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
6
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
7
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
8
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
9
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
10
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
11
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
12
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
13
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
14
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
15
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
16
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
17
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
18
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
20
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
21
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
22
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
23
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
24
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
25
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
26
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
27
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
28
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
29
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
30
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
31
George Romney, 1734–1802
Seated Figure
undated
32
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
33
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ruins Outside Rome
ca. 1783
34
William Hamilton, 1751–1801
A Dramatic Scene with Three Women in an Interior
1794
35
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
36
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
37
Henry Swinburne, 1743–1803
Six Capitals of Columns in the Court of Lions in the Alambra of Granada
1775 to 1776
38
Henry Swinburne, 1743–1803
Cupboard in the Hall of the Embassadors
1775 to 1776
39
Henry Swinburne, 1743–1803
Coat of Arms Design
undated
40
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
41
Capt. Francis Grose, 1731–1791
Priory Old House, Thetford
1777
42
Henry Swinburne, 1743–1803
Study of a Section Piece From The Lions Court at Alahambra
1775 to 1776
43
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
44
Robert Mabon, died 1798
An English Child
undated
45
Robert Mabon, died 1798
Unfinished Sketch of an Elaborately Saddled Horse
undated
46
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
47
William Taverner, 1703–1772
Rural Landscape
between 1750 and 1755
48
Paul Sandby, 1731–1809
The Gypsy Fortune-Teller
ca. 1758
49
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
50
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
51
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
52
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
53
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
54
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
55
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
56
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
57
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
58
unknown artist
Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
undated
59
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
60
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
61
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
62
James Bruce, 1730–1794
Figures in a Landscape
undated
63
unknown artist
Dr. Mum
undated
64
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
65
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
66
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
67
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
68
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
69
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
70
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
71
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
72
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
73
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
74
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
75
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
76
unknown artist
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
undated
77
John Warwick Smith, 1749–1831
Cascade of Buffalora
undated
78
Thomas Smith of Derby, ca. 1720–1767
Convent of Vallombrosa
undated
79
Mauritius Lowe, 1746–1793
An Allegory on the Plight of the Artist
between 1772 and 1790
80
Attributed to Peter Rashleigh, active 1775
Distant View of a Town
1775
81
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
82
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
83
James Bruce, 1730–1794
Wolf
1764
84
James Bruce, 1730–1794
One Side of a Coin with Inscription
undated
85
Louis Philippe Boitard, active 1734–1760
A London Potboy
1759
86
Robert Mabon, died 1798
Sketch of an Elaborately Saddled Horse
ca. 1792
87
Robert Mabon, died 1798
Standing Dignitary
undated
88
Robert Mabon, died 1798
Sketch for a Picture of the Peshwa's Saddle
undated
89
Attributed to Gangaram Chintaman Tambat, active 1790s
Portrait of a Priest of the Borahs [Bohras]
1794
90
G. W. Gent, active 1804–1822
Boldre Church and Bridge
1800
91
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
92
Richard Wilson, 1713/4–1782
The Falls at Tivoli
between 1752 and 1757
93
James Bruce, 1730–1794
A Vase
undated
94
Allan Ramsay, 1713–1784
Margaret Ramsay, the Artist's Second Wife (Died 1782)