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Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

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Height [cm] 26

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Dent de Lion, Margate
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1791
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gloucester Cathedral
Creator:
unknown artist
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buildings Overlooking Water, near Naples
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Crosses at Whalley
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1800
Materials & Techniques:
Line engraving, Published State on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 9 1/4 inches (29.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Donnington Castle
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
1805
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 12 3/8 inches (26.2 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Woman and Tambourine
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jason

Jason
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Holy Island Cathedral
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge in Middle Distance
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge in Middle Distance
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint
Dimensions:
Plate: 8 x 10 7/8in. (20.3 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Juvenile Tricks
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Juvenile Tricks
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of Severn and Wye
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchelsea, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Chain of Alps from Grenoble to Chamberi
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water Mill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Michael's Mount, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lulworth Castle, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Land's End, Cornwall
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and line engraving, interstate (between 1st and 2nd) on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Engraving and etching , first published state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving; modern impression on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rosslyn Castle
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1822
Materials & Techniques:
Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 11 1/2 × 17 7/16 inches (29.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof (early) (touched) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/8 inches (30 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving, and etching, engraver's proof (very early) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1819-1826
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Dunwich

Dunwich
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 11/16 inches (25.6 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hurstmonceux Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving, and etching, engraver's proof on thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Line engraving, unfinished on thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heriot's Hospital
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heriot's Hospital
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1822
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 3/4 inches (26.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (Turner's copies) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/8 × 21 5/8 inches (37.8 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824 to 1825
Materials & Techniques:
Mezzotint; earliest engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wilton House
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1825
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 19 1/8 inches (33 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Replica of Number 777 reversed from Young 'Stafford Gallery'
Creator:
Print made by William Richardson, active 1842–1877
Date:
1825
Materials & Techniques:
Mezzotint; engraver's proof on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/8 × 13 3/4 inches (26.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Maurice (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 1/4 inches (43.2 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle, Northumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 12 1/2 inches (26 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; completed engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof (3) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (unfinished) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 10 3/8 inches (38.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving and etching, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Dover

Dover
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/4 inches (26 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, Castle of St. Angelo (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828 to 1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Oxford (small replica)
Creator:
Print made by W. E. Albutt, active 1836–1863
Date:
1828
Materials & Techniques:
Line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 14 13/16 inches (25.6 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prudoe Castle, Northumberland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/4 inches (26.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Catwater, Entrance to Plymouth Sound
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Maurice
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1829
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Campagna of Rome
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Naples

Naples
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Amalfi

Amalfi
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 1/8 inches (43.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection