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Francis Danby Landscape near Clifton
Francis Danby, 1793–1861
Landscape near Clifton
1822 to 1823
Not on view
Edward Lear Kangchenjunga from Darjeeling
Edward Lear, 1812–1888
Kangchenjunga from Darjeeling
1879
Not on view
Richard Wilson Wilton House from the Southeast
Richard Wilson, 1713/4–1782
Wilton House from the Southeast
between 1758 and 1760
Not on view
Charles Reuben Ryley 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
John Varley A View along the Thames towards Chelsea Old Church
John Varley, 1778–1842
A View along the Thames towards Chelsea Old Church
between 1810 and 1815
Not on view
George Vincent A View of Cheddar Gorge
George Vincent, 1796–1832
A View of Cheddar Gorge
ca. 1820
Not on view
John Wootton Classical Landscape: Morning
John Wootton, 1682–1764
Classical Landscape: Morning
between 1740 and 1745
Not on view
Thomas Stothard The Supper by the Fountain
Thomas Stothard, 1755–1834
The Supper by the Fountain
ca. 1820
Not on view
Thomas Stothard The Garden
Thomas Stothard, 1755–1834
The Garden
ca. 1820
Not on view
Richard Wilson Lago d'Agnano with Vesuvius in the distance
Richard Wilson, 1713/4–1782
Lago d'Agnano with Vesuvius in the distance
between 1770 and 1775
Not on view
George Morland Winter Landscape with Figures
George Morland, 1763–1804
Winter Landscape with Figures
ca. 1785
Not on view
Thomas Gainsborough The Gravenor Family
Thomas Gainsborough, 1727–1788
The Gravenor Family
ca. 1754
Not on view
Canaletto Old Walton Bridge
Canaletto, 1697–1768
Old Walton Bridge
1755
Not on view
Nicholas Pocock A Landscape with Figures
Nicholas Pocock, 1740–1821
A Landscape with Figures
1798
Not on view
George Morland The Anglers' Repast
George Morland, 1763–1804
The Anglers' Repast
1789
Not on view
John White Abbott An Italianate Landscape
John White Abbott, 1763–1851
An Italianate Landscape
ca. 1800
Not on view
George Sidney Shepherd The Serpentine, Hyde Park
Attributed to George Sidney Shepherd, 1784–1862
The Serpentine, Hyde Park
mid-19th century
Not on view
Jessica Landseer Village Scene (possibly Colickey Green, Essex)
Jessica Landseer, 1807–1880
Village Scene (possibly Colickey Green, Essex)
1817
Not on view
Arthur Nelson Landscape, with Dover Castle in the Distance
Arthur Nelson, active 1765–1773
Landscape, with Dover Castle in the Distance
ca. 1767
Not on view
James Lambert of Lewes Figures with a Donkey and Dog Crossing a Weir
James Lambert of Lewes, 1725–1788
Figures with a Donkey and Dog Crossing a Weir
1767
Not on view
James Duffield Harding The Great Exhibition of 1851
James Duffield Harding, 1798–1863
The Great Exhibition of 1851
1851
Not on view
John Frederick Herring Exercising the Royal Horses
John Frederick Herring, 1795–1865
Exercising the Royal Horses
between 1847 and 1855
Not on view
Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
Walter Richard Sickert The Taming of the Shrew
Walter Richard Sickert, 1860–1942
The Taming of the Shrew
ca. 1937
Not on view
Agostino Brunias Free West Indian Creoles in Elegant Dress
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
Agostino Brunias West Indian Women of Color, with a Child and Black Servant
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
Agostino Brunias West Indian Man of Color, Directing Two Carib Women with a Child
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
William Redmore Bigg The Benevolent Heir or the Tenant Restored to his Family
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
Nathaniel Dance View near Rome
Nathaniel Dance, 1735–1811
View near Rome
between 1754 and 1765
Not on view
Henry Dawson London from Greenwich Hill
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
Not on view
Thomas Gainsborough Wooded Landscape with a Man Talking to Two Seated Women
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
Thomas Gainsborough Mountain Valley with Figures and Distant Village
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Jagdeep Raina The Great Divide (Beautiful Zameen)
Jagdeep Raina, born 1991
The Great Divide (Beautiful Zameen)
2022
Not on view
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1794
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
Charles Gore Gate Toward Bursit, Aix-la-Chappelle
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
unknown artist Design for a Greenhouse at Kew Gardens
unknown artist
Design for a Greenhouse at Kew Gardens
undated