Search Constraints
Search Results
1
- Owl Standing, Anterior View
- 1795 to 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
4
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
5
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
9
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
10
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
11
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
12
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
14
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
15
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
16
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
17
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
18
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
19
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
20
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
21
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
22
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
23
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
24
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
25
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
26
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
27
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
28
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
29
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
30
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
31
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
32
- Aged Ignorance; Plate 13
- 1793
33
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
34
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
35
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
36
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
37
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
38
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
39
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
40
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
41
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
42
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
43
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
44
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
45
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
46
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
47
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
48
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
49
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
50
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
51
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
52
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
53
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
54
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
55
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
56
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
57
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
58
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
59
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
60
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
61
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
62
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
63
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
64
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
65
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
66
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
67
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
68
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
69
- Mary Magdalen at the Sepulchre
- ca. 1805
70
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
71
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
72
- The Agony in the Garden
- 1858
- Not on view
73
- Venus and Cupid
- 1809
- Not on view
74
- Jacob's Dream
- 1705
- Not on view
75
- Cupid Armed
- ca. 1833
- Not on view
76
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
77
- Puck and Fairies, from "A Midsummer Night's Dream"
- ca. 1850
- Not on view
78
- The Angel of Mercy
- ca. 1746
- Not on view
79
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
80
- The Angel Binding Satan
- ca. 1797
- Not on view
81
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
82
- Allegory for Spring
- undated
83
- The Day of Judgment
- 1808, published 1813
84
- The Death of the Good Old Man
- 1808, published 1813
85
- Vertumnus et Pomona
- undated
86
- The Meeting of a Family in Heaven
- 1808, published 1813
87
- Vulcan's Forge
- 1802
88
- Britannia Allegory
- between 1743 and 1747
89
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
90
- James Beattie, LL.D
- 1805
91
- Cupid Wounded
- 1801
92
- Allegorical Scene
- undated
93
- The Web
- undated
94
- From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
- ca. 1720
95
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
96
- Pandemonium
- 1831
97
- The Paphian Bower
- 1826
98
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
99
- Study of a Woman, being Taken Away by a Winged Being
- undated
100
- Five Vignettes of Scenes from Antiquity
- undated