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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 18th century
Remove constraint Period: 18th centurySubject Terms literary theme
Remove constraint Subject Terms: literary themeSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
2
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
3
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
4
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
5
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
6
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
7
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
8
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
9
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
10
- My Son! My Son!; Plate 10
- 1793
11
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
12
- Songs of Innocence and of Experience
- 1789-1794
13
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
14
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
15
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
16
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
17
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
18
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
19
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
20
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
27
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
28
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
29
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
30
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
31
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
32
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
33
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
34
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
35
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
36
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
37
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
38
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
39
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
40
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
41
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
42
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
43
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
44
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
51
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
52
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
53
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
54
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
55
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
56
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
57
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
58
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
59
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
60
- The Shepherd, from Songs of Innocence
- ca. 1795
61
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
62
- Miss Crockatt as Julia de Roubigné
- 1786
63
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
64
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
65
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
66
- Gulliver Bound by the Lilliputians
- undated
67
- Here Nature List'ning Stood
- 1795
68
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
69
- Tancred and Clorinda
- 1785
70
- Ticket: Anacreontic Society Meeting
- 1773
71
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
72
- Rinaldo and Armida
- 1775
73
- Ticket: Anacreontic Society Meeting
- 1779
74
- Celadon and Amelia
- 1782
75
- Dido and Aeneas
- 1787
76
- Tom Jones Assisting Molly Seagrim
- 1782
77
- Shakespeare Illustration: "Measure for Measure"
- undated
78
- Shakespearean Scene (?): A Pilgrim
- 1796
79
- Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
- 1788
80
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
81
- Ophelia's Death
- ca. 1781