Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
6
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
7
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
8
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
9
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
10
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
11
Imitator of George Baxter, 1804–1867
The Bride, Paul and Virginia, the Chalees Satoon, East India
after 1850
12
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
13
Print made by Bradshaw & Blacklock, active ca.1850
Cathedrals in England
after 1850
14
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
15
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
16
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
17
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
18
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
19
Print made by unknown artist
Hermitage Castle, Border Minstrelsy
20
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated
21
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1829
22
Print made by James T. Willmore, 1800–1863
Llanthony, Monmouthshire
1836
23
Print made by James T. Willmore, 1800–1863
Llanthony, Monmouthshire
1836
24
Frederick James Havell, 1801–1840
Lincoln from the Castle
ca. 1836
25
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
26
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
27
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
28
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
29
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
30
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
1785
31
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
1785
32
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
33
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Fortitude
1782
34
D. P. Pariset, born 1740, active in Britain from 1767
Sir William Chambers
1769
35
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
36
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
37
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
38
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
39
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
40
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
41
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Charity
1781
42
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Prudence
1782
43
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1852
44
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
45
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire