Grey Arabian stallion, the property of Sir Watkin Williams-Wynn
ca. 1817
Not on view
102
James Ward, 1769–1859
Theophilus Levett and a Favorite Hunter
1817
Not on view
103
James Ward, 1769–1859
A Border Leicester Ewe
between 1795 and 1800
Not on view
104
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
105
Martin Theodore Ward, 1799–1874
Head of a Grey Arabian Horse
between 1820 and 1830
Not on view
106
Dean Wolstenholme, 1798–1882
Studies of carrier pigeon
1837
Not on view
107
Dean Wolstenholme, 1798–1882
Red pied carrier
1837
Not on view
108
Dean Wolstenholme, 1798–1882
An Angler's Catch of Coarse Fish
ca. 1850
Not on view
109
Thomas Woodward, 1801–1852
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
1835
Not on view
110
Henry Bernard Chalon, 1771–1849
The Duchess of York's Spaniel
1804
Not on view
111
David Dalby of York, 1780–1849
Signal, a Grey Arab, with a Groom in the Desert
1820 or 1829
Not on view
112
John Ferneley, 1782–1860
Study of a Saddled Bay Hunter
1828
Not on view
113
unknown artist
A Horse Frightened by a Lioness
ca. 1800
Not on view
114
Jacques-Laurent Agasse, 1767–1849
Study of a Grey Horse
ca. 1800
Not on view
115
Jacques-Laurent Agasse, 1767–1849
A Grey Pony and a Black Charger in a Stable
1804
Not on view
116
Jacques-Laurent Agasse, 1767–1849
Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
ca. 1815
Not on view
117
Jacques-Laurent Agasse, 1767–1849
Study of a Fox
between 1810 and 1830
Not on view
118
William Barraud, 1810–1850
A Couple of Foxhounds with a Terrier, the property of Lord Henry Bentinck
ca. 1845
Not on view
119
John Boultbee, 1753–1812
A Bay Horse in a Field
1778
Not on view
120
John Boultbee, 1753–1812
A Grey Arab Stallion in a Desert Landscape
ca. 1790
Not on view
121
Edmund Bristow, 1787–1876
A Bay Horse in a Field
ca. 1825
Not on view
122
Edmund Bristow, 1787–1876
Outside the Guard House at Windsor
between 1817 and 1821
Not on view
123
James Ward, 1769–1859
Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P
1835
Not on view
124
James Ward, 1769–1859
Rough-Coated Collie
1809
Not on view
125
John Wootton, 1682–1764
The Duke of Rutland's Bonny Black
ca. 1715
Not on view
126
Benjamin Marshall, 1768–1835
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
between 1806 and 1807
Not on view
127
George Garrard, 1760–1826
Ranger, a setter, the property of Elizabeth Gray
1797
Not on view
128
David Dalby of York, 1780–1849
Portrait of a Dog, Ross
1836
Not on view
129
unknown artist
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
130
Thomas Weaver, 1774–1843
Prize Cattle in a Landscape
1833
Not on view
131
Sawrey Gilpin, 1733–1807
Gulliver Addressing the Houyhnhnms
1769
Not on view
132
Sawrey Gilpin, 1733–1807
Gulliver Taking His Final Leave of the Land of the Houyhnhnms
1769
Not on view
133
Marmaduke Cradock, 1660–1716
Peacocks, Doves, Turkeys, Chickens and Ducks by a Classical Ruin
ca. 1700
Not on view
134
James Ward, 1769–1859
Eagle, a Celebrated Stallion
1809
Not on view
135
unknown artist
A Mallard, Black Bird and Tree Sparrow
ca. 1700
Not on view
136
George Morland, 1763–1804
Old horses with a dog in a stable
ca. 1791
Not on view
137
George Henry Laporte, 1799–1873
Mameluke purchasing an Arabian stallion
ca. 1835
Not on view
138
John Frederick Herring, 1795–1865
A Clydesdale Stallion
1820
Not on view
139
Thomas Gainsborough, 1727–1788
Sheep and Lambs by a Fence
ca. 1745
Not on view
140
Joseph Edgar Boehm, 1834–1890
St. Simon
1885
Not on view
141
unknown artist
Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing)
1830
Not on view
142
unknown artist
A Setter: Standing
ca. 1775
Not on view
143
Josiah Wedgwood, 1730–1795
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
144
Edward Burch, 1730–1814
Horse Studies in Relief, after George Stubbs
modeled 1788–1789
Not on view
145
Robert Polhill Bevan, 1865–1925
Sketch of a Horse
undated
146
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
147
Robert Polhill Bevan, 1865–1925
The Horse Mart
ca. 1917
148
Robert Polhill Bevan, 1865–1925
Study for Mare and Foal, Lytchetts, Clayhidon
1917
149
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
150
Robert Polhill Bevan, 1865–1925
The Ploughing Team
1905 or 1906
151
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
152
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
153
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
154
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
155
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
156
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
157
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
158
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
159
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
160
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
161
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
162
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
163
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
164
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
165
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
166
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
167
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
168
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
169
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
170
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
171
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
172
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
173
Print made by Samuel Palmer, 1805–1881
The Willow
1850
174
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
175
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
176
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
177
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
178
George Stubbs, 1724–1806
A Foxhound on the Scent
1788
179
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
180
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
181
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
182
after George Stubbs, 1724–1806
Horses Fighting
undated
183
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
184
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
185
William Hogarth, 1697–1764
The Bruiser
1763
186
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
187
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
188
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
189
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
190
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Crypt of Kirkstall Abbey
1812
191
after Joseph Mallord William Turner, 1775–1851
North-West Front, Cassiobury, with Hounds and Huntsmen