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Edward Burne-Jones The Briar Wood
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman Illustration to Pilgrim's Progress
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Peter Mazell Fable XXXVI. Pythagoras and the Countryman
Print made by Peter Mazell, active 1761–1797
Fable XXXVI. Pythagoras and the Countryman
1793
W. Grainger Fable XV. The Cook-Maid, the Turnspit, and the Ox
Print made by W. Grainger, active 1793
Fable XV. The Cook-Maid, the Turnspit, and the Ox
1793
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
Nathaniel Dance Theatrical Scene
Nathaniel Dance, 1735–1811
Theatrical Scene
after 1804
David Allan Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Life, and Posthumous Writings, of William Cowper, (volume 1)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake The Life, and Posthumous Writings, of William Cowper (volume 2)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
William Blake William Cowper
Print made by William Blake, 1757–1827
William Cowper
1803-1804
William Blake William Cowper, Author of "The Task"
Print made by William Blake, 1757–1827
William Cowper, Author of "The Task"
1802
William Blake The Peasants' Nest: Cowper's tame Hares
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
William Blake Mrs Cowper Mother of the Poet
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
David Scott Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
ca. 1831
David Scott Christian, Accompanied by Discretion, Piety, Charity and Prudence
David Scott, 1806–1849
Christian, Accompanied by Discretion, Piety, Charity and Prudence
ca. 1831
Arnold Fawcus Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"
Print made by Arnold Fawcus, 1917–1979
Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"
1972
David Scott Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
ca. 1831
David Scott Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
David Scott, 1806–1849
Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
ca. 1831
David Scott Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
ca. 1831
David Scott Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat
ca. 1831
David Scott Christian and Hopeful in the Castle of Giant Despair
David Scott, 1806–1849
Christian and Hopeful in the Castle of Giant Despair
ca. 1831
David Scott Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
ca. 1831
David Scott Hearing the Music of the Spheres
David Scott, 1806–1849
Hearing the Music of the Spheres
ca. 1831
Thomas Sibson The Baron's Hall of Chaucer's Time
Thomas Sibson, 1817–1844
The Baron's Hall of Chaucer's Time
1844
James McArdell Ghismonda
Print made by James McArdell, ca. 1729–1765
Ghismonda
undated
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
A. Birrell Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)
A. Birrell, ca.1770–ca. 1820
Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)
John Faber the Younger John Locke, Esq.
John Faber the Younger, ca. 1695–1756
John Locke, Esq
undated
Valentine Green Mrs. Yates, in the Character of the Tragic-Muse
Print made by Valentine Green, 1739–1813
Mrs. Yates, in the Character of the Tragic-Muse
1772
William Strang Macbeth's Witches
Print made by William Strang, 1859–1921
Macbeth's Witches
1882
Francesco Bartolozzi Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
Samuel William Reynolds Garrick in the Character of Richard, third
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
Valentine Green David Garrick Leaning on a bust of William Shakespeare
Valentine Green, 1739–1813
David Garrick Leaning on a bust of William Shakespeare
1769
James Watson Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
James Watson, 1740–1790
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
1762-1764
Niccoló Schiavonetti Samuel Johnson
Niccoló Schiavonetti, 1771–1813
Samuel Johnson
1809
William Sharp John Philip Kemble
William Sharp, 1749–1824
John Philip Kemble
undated
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
William Ward The late Mrs Pope as Juliet
William Ward, 1766–1826
The late Mrs Pope as Juliet
John Raphael Smith Rosalind
John Raphael Smith, 1752–1812
Rosalind
Jacobus Houbraken Benjamin Johnson
Jacobus Houbraken, 1698–1780
Benjamin Johnson
1738
James Heath Samuel Johnson
James Heath, 1757–1834
Samuel Johnson
1791
Thomas Cook Samuel Johnson
Print made by Thomas Cook, 1744–1818
Samuel Johnson
1787
George Keating John Philip Kemble, as Richard III
George Keating, 1762–1842
John Philip Kemble, as Richard III
undated
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
unknown artist Malvoleo
unknown artist
Malvoleo
undated
Thomas Uwins Gil Blas Practicing Medicine Under Dr. Sangrado
Thomas Uwins, 1782–1857
Gil Blas Practicing Medicine Under Dr. Sangrado
between 1820 and 1822
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Arnold Fawcus First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray
Print made by Arnold Fawcus, 1917–1979
First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray
1967
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Thomas Abiel Prior The Bay of Baiae, Apollo and the Sibyl
Print made by Thomas Abiel Prior, 1809–1886
The Bay of Baiae, Apollo and the Sibyl
1873
Thomas Abiel Prior Dido Building Carthage
Print made by Thomas Abiel Prior, 1809–1886
Dido Building Carthage
1863