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Materials & Techniques gray ink
Remove constraint Materials & Techniques: gray inkOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Study of the Head of a Young Man
- undated
2
- Howard Visiting a Prison
- undated
3
- John Henderson as Falstaff
- 1780
4
- David before Saul
- undated
5
- Howard Visiting a Prison
- undated
6
- Satan Approaching the Court of Chaos
- 1784 to 1785
7
- Lambeth Palace from Across the River
- undated
8
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
9
- Design for a Shop Front: Elevation
- undated
10
- Design for a Circular Domed Temple: Elevation
- undated
11
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
12
- Unidentified Town House: Front Elevation
- undated
13
- The Mansion House
- undated
14
- Tivoli
- ca. 1768
15
- Design for the Parterre at Hampton Court
- early 18th century
16
- The Acacia Tree - Figures in a Park
- undated
17
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
18
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
19
- Tree Study with Stags (Landscape)
- undated
20
- Landing Place at Pallanza
- undated
21
- Port d'Arona
- 1795
22
- The Seven Bishops Going To Trial
- 1790
23
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
24
- Tassisudon
- 1783
25
- Rocky River Scene with Sepoys
- undated
26
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
27
- A View of Rome Taken from the Pincio
- 1776
28
- Design for Court of Edinburgh University
- 1779
29
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
30
- Elevations of a Room
- undated
31
- Italianate Landscape with Travellers no. 2
- ca. 1760
32
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
33
- Firing a Salute
- 1770
34
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
35
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
36
- The Gunpowder Magazine, Hyde Park
- ca. 1793
37
- The Flagship of a Commander in Chief
- undated
38
- Harbledown, a Village near Canterbury
- 1757
39
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
40
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
41
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
42
- London Cries: Flowers
- undated
43
- A View of Boxhill from Norbury Park, Surrey
- ca. 1775
44
- Political Caricature: "The Spiritualists"
- undated
45
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
46
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
47
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
48
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
49
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
50
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
51
- Junk Ship Employed Against Gibralter..Single Junk Ship
- 1782
52
- The Gate at Blenheim
- 1787
53
- View of the Falls of Niagara
- between 1795 and 1797
54
- Position pour la Garde en Quarte
- 1763
55
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
56
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
57
- Position pour la Garde en Tierce
- 1763
58
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
59
- Premiere Position pour tirer L'Epée
- 1763
60
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
61
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
62
- Position de la Garde en Quarte, et le Coup de Quarte Basse
- 1763
63
- Seconde Position du Salut
- 1763
64
- Quatrieme Position du Salut
- 1763
65
- De la Parade Dequinte sur le Coup de Quinte
- 1763
66
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
67
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
68
- De la Passe en Quarte du Dehors des Armes
- 1763
69
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
70
- De la Volte sur la Passe au Dehors des Armes
- 1763
71
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
72
- Du Desarmement sur le Coup de Tierce
- 1763
73
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
74
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
75
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
76
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
77
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
78
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
79
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
80
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
81
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
82
- Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
- undated
83
- Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
- undated
84
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
85
- Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan
- undated
86
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
87
- Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
- undated
88
- L'Orient 1776: Map of the Port of Orient
- 1776
89
- Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
- 1789
90
- Westminster Bridge from Lambeth Walk
- undated
91
- One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
- ca. 1784
92
- One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
- ca. 1784
93
- Landscape with Large Cruciform
- 1769
94
- Landscape with Castle, River and Mountain
- between 1762 and 1783
95
- View of Windermere
- between 1762 and 1783
96
- River Landscape with Castle in the Distance
- 1766
97
- Two Trees in a Landscape
- between 1762 and 1783
98
- Landscape with Road Leading to Abbey
- 1762
99
- Three Figures in a Landscape
- 1766
100
- Mountain Landscape
- between 1762 and 1783