Creator: Blake, William, 1757–1827 / Subject Terms: religious and mythological subject - YCBA Collections Search Search Results

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Creator Blake, William, 1757–1827

Subject Terms religious and mythological subject

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

1804 to 1820

William Blake Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

1804 to 1820

William Blake Jerusalem, Plate 62, "Repose on me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

William Blake Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 63, "Jehovah stood among the Druids...."

1804 to 1820

William Blake Jerusalem, Plate 65, "To decide Two Worlds...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

William Blake Jerusalem, Plate 66, "In awful pomp & gold...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

1793

William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

1793

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake Europe. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 1, Frontispiece

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

1794

William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake Europe. A Prophecy, Plate 8 (Bentley 9)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 11 (Bentley 17)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

1794

William Blake The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 85, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 61, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 61, "The Bard."

between 1797 and 1798

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

William Blake Songs of Innocence and of Experience

William Blake, 1757–1827

Songs of Innocence and of Experience

1789-1794

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake An Angel with a Trumpet

William Blake, 1757–1827

An Angel with a Trumpet

between 1805 and 1808

William Blake Copy of the Laocoön, for Rees's Cyclopædia

William Blake, 1757–1827

Copy of the Laocoön, for Rees's Cyclopædia

1815

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Luigi Schiavonetti Robert Blair, The Grave, Title Page

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Luigi Schiavonetti The Meeting of a Family in Heaven

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808, published 1813

Luigi Schiavonetti The Descent of Man into the Vale of Death

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Luigi Schiavonetti Christ Descending into the Grave

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808, published 1813