The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
304
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
305
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
306
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
307
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
308
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
309
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
310
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
311
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
312
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
313
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
314
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
315
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
316
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
317
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
318
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
319
William Blake, 1757–1827
Beggar's Opera, Act III
1790
320
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
321
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
322
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
323
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
324
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
325
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
326
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
327
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
328
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
329
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
330
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
331
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
332
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
333
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
334
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
335
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
336
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
337
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
338
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
339
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
340
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
341
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
342
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
343
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
344
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
345
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
346
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
347
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
348
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
349
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
350
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
351
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
352
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
353
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
354
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
355
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
356
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
357
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
358
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
359
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
360
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
361
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
362
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
363
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
364
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
365
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
366
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
367
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
368
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
369
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
370
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
371
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
372
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
373
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
374
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
375
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
376
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
377
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
378
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
379
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
380
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
381
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
1794
382
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
383
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
384
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
385
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
386
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
387
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
388
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
389
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
390
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
391
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
392
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
393
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
394
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
395
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
396
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
397
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
398
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
399
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
400
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."