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1
- The Ferry
- ca. 1840
2
- Crocks
- ca. 1924
3
- Ploughing the Hillside
- ca. 1905
4
- Timber Hauling
- ca. 1917
5
- The Horse Mart (with further sketches in the margin)
- ca. 1918
6
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
7
- Sale at Ward's Repository, No. 2
- ca. 1918
8
- Over the Bank, Exmoor
- ca. 1895
9
- Under the Hammer
- between 1912 and 1913
10
- The Bayhorse, Tattersall’s
- 1921
11
- Figures at Mass, Poland
- ca. 1904
12
- Human Figure, Lateral View
- 1795 to 1806
13
- Grotesque Male Head
- undated
14
- Grotesque Male Head
- undated
15
- Grotesque Male Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- The First Stage of Cruelty
- ca. 1750
22
- Grotesque Male Head
- undated
23
- Gabriel Hunt
- undated
24
- Rome from Monte Mario
- ca. 1818
25
- Teignmouth, Devonshire
- ca. 1813
26
- Folkestone Harbour and Coast to Dover
- ca. 1829
27
- Near Suez, evening, 15 January 1849 (43)
- 1849
28
- Opposite Beni Hassan
- 1867
29
- Howatke
- 1867
30
- Val di Roppa, Corfu, 22 May 1868
- 1868
31
- Studies of Camels and Egyptian Men
- 1867
32
- Seated Men
- 1867
33
- Silsilis
- 1854
34
- Lear Awakened by Cordelia
- between 1774 and 1775
35
- David Playing the Harp
- undated
36
- The Accusation of Susanna by the Elders
- undated
37
- Miranda, Prospero, and Caliban: The Tempest
- undated
38
- Three Sketches of a Man in Uniform
- undated
39
- Prison Scene
- undated
40
- Prison Scene
- undated
41
- Howard Visiting a Prison
- undated
42
- Prison Scene
- undated
43
- The Banquet Scene
- ca. 1792
44
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
45
- Prison Scene
- undated
46
- Howard Visiting a Prison
- undated
47
- Howard Visiting a Prison
- undated
48
- Bacchanalian Scene (Possibly Antediluvian)
- undated
49
- David before Saul
- undated
50
- Samson Overpowered
- undated
51
- Two Men Fighting
- undated
52
- Howard Visiting a Prison
- undated
53
- The Two Friends
- undated
54
- Howard Visiting a Prison
- between 1790 and 1794
55
- Prison Scene
- undated
56
- Howard Visiting a Prison
- undated
57
- Sketches for "The Accusation of Susanna"
- undated
58
- The Accusation of Susanna
- ca. 1773
59
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
60
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
61
- Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
- ca. 1797
62
- Young's Night Thoughts, Page 13, "The present moment terminates our sight"
- ca. 1797
63
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
64
- Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
- ca. 1797
65
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
66
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
67
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
68
- Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
- ca. 1797
69
- Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
- ca. 1797
70
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
71
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
72
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
73
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
74
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
79
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
80
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
81
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
82
- Jerusalem, Plate 21, "O Vala! O Jerusalem...."
- 1804 to 1820
83
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
84
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
85
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
86
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
87
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
88
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
89
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
90
- Jerusalem, Plate 67, "By those who drink their blood...."
- 1804 to 1820
91
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
92
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
93
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
94
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
95
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
96
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
97
- Jerusalem, Plate 100
- 1804 to 1820
98
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798