etching begun ca. 1800; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
3
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
4
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
5
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
6
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
7
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
8
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
9
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
10
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
11
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
13
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
14
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
15
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
16
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
17
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
18
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
19
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
20
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
21
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
22
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
23
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
24
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
25
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
26
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
27
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
28
Print made by William Blake, 1757–1827
London (Plate 39)
1794
29
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
30
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
31
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
32
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
33
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
34
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
35
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
36
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
37
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
38
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
39
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
40
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
41
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
42
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
43
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
44
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
45
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
46
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
47
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
48
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
49
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
50
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
51
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
52
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
53
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
54
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
55
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
56
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
57
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
58
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
59
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
60
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
61
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
62
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
63
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
64
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
65
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
66
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
67
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
68
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
69
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
70
Printed by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
71
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
72
unknown artist
The Destruction of Sodom and Gomorrah
undated
73
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
74
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
75
Attributed to John Martin, 1789–1854
Fall of a City
undated
76
Francis Wheatley, 1747–1801
Olivia Returns to Her Family
undated
77
William Simpson, 1823–1899
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
ca. 1860
78
William Simpson, 1823–1899
The Ganges
1863
79
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
80
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
81
George Jones, 1786–1869
Fire on the Thames
ca. 1808
82
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
83
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
84
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
85
Cornelius Varley, 1781–1873
Evening
1828
86
William Callow, 1812–1908
Plymouth Dockyard after the Fire
1840
87
Nicholas Pocock, 1740–1821
Landscape with Gypsies
undated
88
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
89
Thomas Hearne, 1744–1817
The Welsh Curate
undated
90
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
91
Thomas Wyck, 1616–1677
Newgate Prison, the Fire of London
undated
92
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
93
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
94
Print made by William Clerk, ? 19th c.
The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
after 1840
95
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
96
Daniel Lerpiniere, c.1745–1785
The Representation of the Dealer of a Squardon of Spanish Ships
1782
97
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
98
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
99
William Woollett, 1735–1785
The Battle at La Hogue
1781
100
Print made by Gregory, Collins and Reynolds, active 1843