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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Period 19th century

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Image Use Free to Use

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Subject Terms literary theme

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Walter Crane The Lady of Shalott
Walter Crane, 1845–1915
The Lady of Shalott
1862
Not on view
George Cruikshank Herne's Oak from 'The Merry Wives of Windsor,' V, v
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
George Cruikshank The First Appearance of William Shakespeare on the Stage of the Globe Theatre
George Cruikshank, 1792–1878
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Not on view
unknown artist Procession of Characters from Shakespeare's Plays
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
Thomas Stothard Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
Thomas Stothard, 1755–1834
Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
1806
Not on view
John S. Clifton Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
John Cawse Falstaff and the recruits, from "Henry IV, Part II"
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
Gilbert Stuart Newton Shylock and Jessica from the 'Merchant of Venice,' II, ii
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
Joseph Noel Paton Puck and Fairies, from "A Midsummer Night's Dream"
Joseph Noel Paton, 1821–1901
Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
Charles Hunt Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
James Stephanoff Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
James Northcote Master Betty as Hamlet, before a Bust of Shakespeare
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
Charles Robert Leslie Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
Joseph Gott Sylvia and the Wounded Stag
Joseph Gott, 1786–1860
Sylvia and the Wounded Stag
1824
Not on view
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
George Henry Harlow Hecate
George Henry Harlow, 1787–1819
Hecate
1815
George Jones Portentous Things
George Jones, 1786–1869
Portentous Things
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
Alfred Thompson Costume Design for two Morris Dancers
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
John W. Gear Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Print made by John W. Gear, 1806–1866
Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
undated
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
William Heath Opera Reminiscences: Desdemona and Otello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Otello
1829
Benjamin Smith "Tempest", Act I, Scene I
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
William Greatbach Falstaff and his Friends
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Henry Martens Theatre Royal Italian, Salon, dans l'Opera "Othello" par Mr. Ferri
Print made by Henry Martens, 1828–1854
Theatre Royal Italian, Salon, dans l'Opera "Othello" par Mr. Ferri
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"
Print made by Henry William Bunbury, 1750–1811
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
William Bromley David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
William Heath Opera Reminiscences: Desdemona and Othello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Othello
1829
Benjamin Holl Mr. G. V. Brooke as Othello and James Bennett as Iago - 'Othello,' Act III, Scene III
Benjamin Holl, 1808–1884
Mr. G. V. Brooke as Othello and James Bennett as Iago - 'Othello,' Act III, Scene III
William Ward Mrs. Pope as Juliet
Print made by William Ward, 1766–1826
Mrs. Pope as Juliet
ca. 1804
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
David Cox Pirate's Isle
David Cox, 1783–1859
Pirate's Isle
1826
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
Samuel William Reynolds Garrick in the Character of Richard, third
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825