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Collection Prints and Drawings

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Period 18th century

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William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin De la Parade de Prime sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin Demi Volte sur les Coups Forcés au Dehors des Armes
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
Isaac Weld View of the Falls of Niagara
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin Du Coupé sur Pointe de Quarte en Quarte sur les Armes
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin Du Desarmement sur le Coup de Tierce
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Du Desarmement Aprés la Parade au Dehors des Armes
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
James Gwin De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
James Gwin Position de la Garde Italienne de L'Epée & Poignard
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
James Gwin Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
James Gwin De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin Position de la Garde en Quarte, et le Coup de Quarte Basse
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
James Gwin Premiere Position du Salut
James Gwin, 1700–1769
Premiere Position du Salut
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Troisieme Position du Salut
James Gwin, 1700–1769
Troisieme Position du Salut
1763
James Gwin Seconde Position du Salut
James Gwin, 1700–1769
Seconde Position du Salut
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Parade de Seconde sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
James Gwin De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin Du Desarmement Aprés Avoir Paré le Coup de Quarte
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
James Gwin De la Passe en Quarte du Dehors des Armes
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
James Gwin Position Aprés Avoir Desarmé sur le Coup de Quarte
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
James Gwin Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin De la Parade Dequinte sur le Coup de Quinte
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
James Gwin De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
James Gwin De la Volte sur la Passe au Dehors des Armes
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
undated
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
Charles Gore Port d'Arona
Charles Gore, 1729–1807
Port d'Arona
1795
Samuel Buck Herstmonceux Castle, Sussex
Samuel Buck, 1696–1779
Herstmonceux Castle, Sussex
undated
unknown artist Docks, September 6, 1777
unknown artist
Docks, September 6, 1777
1777
Henry Swinburne Plan of the Mesquita of Cordova
Henry Swinburne, 1743–1803
Plan of the Mesquita of Cordova
1775 to 1776
William Pars A View at Lucerne
William Pars, 1742–1782
A View at Lucerne
1775
Anthony Walker Britannia in Distress
Anthony Walker, 1726–1765
Britannia in Distress
1756
Michael "Angelo" Rooker Kenilworth Castle, with Figures on the Hillside
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
James Bruce The Ruins of Carthage
James Bruce, 1730–1794
The Ruins of Carthage
ca. 1769
Charles Brooking Two Frigates before the Wind
Charles Brooking, 1723–1759
Two Frigates before the Wind
undated
Michael "Angelo" Rooker Scenery, Haymarket Theatre
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
Dominic Serres Firing a Salute
Dominic Serres, 1722–1793
Firing a Salute
1770
Thomas Priest Lambeth Palace from Across the River
Thomas Priest, active 1738–1750
Lambeth Palace from Across the River
undated
James Paine Design for a Temple on a Square Plan and with a Dome: Elevation
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
James Paine Design for a Circular Domed Temple: Elevation
James Paine, 1717–1789
Design for a Circular Domed Temple: Elevation
undated
Colen Campbell Unidentified Town House: Front Elevation
Colen Campbell, 1676–1729
Unidentified Town House: Front Elevation
undated
John Sanderson Langley Park, Norfolk: Elevation of the South Front
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
unknown artist Elevations of a Room
unknown artist
Elevations of a Room
undated
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Coplestone Warre Bampfylde Crowcombe Court: a gentleman with his dog walking by the river
Coplestone Warre Bampfylde, 1719–1791
Crowcombe Court: a gentleman with his dog walking by the river
ca. 1775
Charles Brooking The Flagship of a Commander in Chief
Charles Brooking, 1723–1759
The Flagship of a Commander in Chief
undated
Colen Campbell Lowther House, Westmorland: Elevation of the Court Front
Colen Campbell, 1676–1729
Lowther House, Westmorland: Elevation of the Court Front
between 1718 and 1729
Colen Campbell Lowther House, Westmorland: Elevation of the Garden Front
Colen Campbell, 1676–1729
Lowther House, Westmorland: Elevation of the Garden Front
between 1718 and 1729
Dominic Serres Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
unknown artist L'Orient 1776: Map of the Port of Orient
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
1765
Rev. William Gilpin Landscape with Road Leading to Abbey
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
Rev. William Gilpin Three Figures in a Landscape
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
Rev. William Gilpin Mountain Landscape
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
unknown artist Two Frigates
unknown artist
Two Frigates
undated
unknown artist A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
Captain John Bernard Gilpin View from a Riverbank
Captain John Bernard Gilpin, 1701–1776
View from a Riverbank
undated
Sawrey Gilpin A Dwelling
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
Rev. William Gilpin Landscape with Castle, River and Mountain
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
Rev. William Gilpin River Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
Rev. William Gilpin Landscape with Large Cruciform
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
Rev. William Gilpin View of Windermere
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
Rev. William Gilpin Two Trees in a Landscape
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
Rev. William Gilpin Landscape with Castle on Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Castello di Smirna
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784