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501
- Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
- 1797
502
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
503
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
504
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
505
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
506
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
507
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
508
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
509
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
510
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
511
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
512
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
513
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
514
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
515
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
516
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
517
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
518
- Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
- 1789
519
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
520
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
521
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
522
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
523
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
524
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
525
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
526
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
527
- Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
- 1804 to 1820
528
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
529
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
530
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
531
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
532
- Jerusalem, Plate 59, "And formed into Four precious stones...."
- 1804 to 1820
533
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
534
- Jerusalem, Plate 64, "Of the Mundane Shell...."
- 1804 to 1820
535
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
536
- Jerusalem, Plate 67, "By those who drink their blood...."
- 1804 to 1820
537
- Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
- 1804 to 1820
538
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
539
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
540
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
541
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
542
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
543
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
544
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
545
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
546
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
547
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
548
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
549
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
550
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
551
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
552
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
553
- Beggar's Opera, Act III
- 1790
554
- Rev. John Caspar Lavater
- 1800
555
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
556
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
557
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
558
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
559
- From Antique Coins
- 1821
560
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
561
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
562
- The Book of Thel
- 1789
563
- For the Sexes: The Gates of Paradise, London, 1826
- 1826
564
- The Complaint and the Consolation; or Night Thoughts
- 1797
565
- Book of Job, Plate 10, Job Rebuked by His Friends
- 1825
566
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
567
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
- 1819
568
- "Visions of the Daughters of Albion", London, by William Blake
- 1793
569
- Illustrations of the Book of Job
- 1825
570
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
571
- "There is No Natural Religion", London, by William Blake
- ca. 1788
572
- For Children. The Gates of Paradise, London, by William Blake
- 1793
573
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
574
- The Death of Juliet
- 1799
575
- Thomas Hayley (1780-1800)
- 1800
576
- An Essay on Sculpture on a Series of Epistles to John Flaxman
- 1800
577
- An Essay on Sculpture on a Series of Epistles to John Flaxman
- 1800
578
- Abraham and Isaac
- 1799 to 1800
579
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
580
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
581
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
582
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
583
- An Essay on Sculpture on a Series of Epistles to John Flaxman
- 1800
584
- Publius Virgilius Maro
- 1821
585
- Beggar's Opera, Act III
- c.1790
586
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
587
- Satan Approaching the Court of Chaos
- 1784 to 1785
588
- Sealing the Stone and Setting a Watch
- 1800 to 1803
589
- Landscape with Spire
- ca. 1801
590
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
591
- The Entrance Front of Hayley's House at Eartham
- 1801
592
- Joseph and Potiphar's Wife
- 1803 to 1805
593
- A Woody Landscape
- ca. 1801
594
- Mary Magdalen at the Sepulchre
- ca. 1805
595
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
596
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
597
- A Visionary Head
- 1819 to 1820
598
- An Angel with a Trumpet
- between 1805 and 1808
599
- Five Visionary Heads of Women
- 1819 to 1820
600
- Study for a Destroying Deity
- 1820 to 1825