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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 18th century
Remove constraint Period: 18th centurySubject Terms literary theme
Remove constraint Subject Terms: literary themeSubject Terms trees
Remove constraint Subject Terms: treesSearch Results
1
- The Author Writing (Design 105)
- between 1797 and 1798
2
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
3
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
4
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
5
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
6
- A Widower and Children (Design 35)
- between 1797 and 1798
7
- Infant Joy (Plate 14)
- 1789
8
- The Little Boy Lost (Plate 20)
- 1789
9
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
10
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
11
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
12
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
13
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
14
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
15
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
16
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
17
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
18
- The Divine Image (Plate 12)
- 1789
19
- Nurse's Song (Plate 22)
- 1789
20
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
21
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
22
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
23
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
24
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
25
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
26
- A Welch Bard (Design 53)
- between 1797 and 1798
27
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
28
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
29
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
30
- Chapter II, "Muster around the bleak desarts..." (Plate 4)
- 1794
31
- Frontispiece (Plate 1)
- ca. 1788
32
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
33
- The Lamb (Plate 8)
- 1789
34
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
35
- On Anothers Sorrow (Plate 24)
- 1789
36
- Spring (Plate 26)
- 1789
37
- Laughing Song (Plate 28)
- 1789
38
- Introduction (Plate 3)
- 1789
39
- A Dream (Plate 4)
- 1789
40
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
41
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
42
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
43
- My Son! My Son! (Plate 10)
- 1793
44
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
45
- Title Page, The First Book of Urizen (Plate 1)
- 1794
46
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
47
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
48
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
49
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
50
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
51
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
52
- Title Page, The First Book of Urizen (Plate 1)
- 1794
53
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
54
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
55
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
56
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
57
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
58
- The Little Black Boy (Plate 30)
- 1789
59
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
60
- The Shepherd, from Songs of Innocence
- ca. 1795
61
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
62
- Gulliver Bound by the Lilliputians
- undated
63
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
64
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
65
- Here Nature List'ning Stood
- 1795
66
- Miss Crockatt as Julia de Roubigné
- 1786
67
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
68
- Rinaldo and Armida
- 1775
69
- Dido and Aeneas
- 1787
70
- Celadon and Amelia
- 1782
71
- Ticket: Anacreontic Society Meeting
- 1779
72
- Thomas King and Sophia Baddely in "The Clandestine Marriage"
- 1772
73
- Tancred and Clorinda
- 1785
74
- Tom Jones Assisting Molly Seagrim
- 1782
75
- Shakespeare Illustration: "Measure for Measure"
- undated
76
- Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
- 1788
77
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
78
- Ophelia's Death
- ca. 1781
79
- Ticket: Anacreontic Society Meeting
- 1773
80
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
81
- Shakespearean Scene (?): A Pilgrim
- 1796