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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centurySearch Results
201
- A Cheetah killing an Antelope
- undated
202
- Mother Camel and her Calf
- undated
203
- Elephant
- undated
204
- Elephant
- undated
205
- Sketch of an Elaborately Saddled Horse
- ca. 1792
206
- William Lee, October 1, 1792
- 1792
![Gangaram Chintaman Tambat A Fool Named Gungarum [Gangaram]](https://media.collections.yale.edu/thumbnail/ycba/a7099845-92e8-44fa-a9b1-f36a75306cb0)
207
- A Fool Named Gungarum [Gangaram]
- ca. 1790
208
- A Sepoy Jamader
- undated
209
- Portrait of Aazim Alomra
- undated
210
- Moote Ram
- undated
211
- Costume Note
- undated
212
- Chury Burdar
- undated
213
- Costume Note
- undated
214
- Diamond Ornament Worn by the Peshwa in his Turban
- undated
215
- Short Sword in Sheath
- undated
216
- A Brahmin
- undated
217
- Two Ladies Wearing Extravagant Plumed Hats
- undated
218
- Kun Futta or Ear Good Joguee
- undated
219
- Utensils
- ca. 1790
220
- The Temple at Ekvera (Karle)
- ca. 1793
221
- The Upper Story of Jagannatha Sabha
- undated
222
- Temple Entrance, Ellora
- undated
223
- Paraswa Rama Sabha
- undated
224
- View of a Rock-Carved Temple, Ellora
- 1793 or 1795
225
- Exterior View of Keylas (Kailasanatha)
- ca. 1795
226
- Bhurt Chullenghan
- undated
227
- Figure from Indus Sabha
- undated
228
- Exterior View of the Temple at Ekvera (Karle)
- ca. 1793
229
- The Waterfall of Doomar Leyna, Dry Except in Rains
- undated
230
- Elaborately Saddled Horse
- undated
231
- A Parsi Priest or Adam
- undated
232
- Man in a Red Turban Sitting Crosslegged
- undated
233
- Man with Prayer Beads
- undated
234
- Man in a Red Turban
- undated
235
- Child with a Red Cloth
- undated
236
- Man with a Black Shawl
- undated
237
- Praying Man
- undated
238
- Man with a Red Turban sitting Crosslegged
- undated
239
- Sketch for a Picture of the Peshwa's Saddle
- undated
240
- Keilghee or Ornament for Horses Forelock
- undated
241
- Self-portrait of Gangaram as a Devotee
- ca. 1790
![Gangaram Chintaman Tambat Portrait of a Priest of the Borahs [Bohras]](https://media.collections.yale.edu/thumbnail/ycba/ac1c06ef-fbad-4a3b-b86c-1f956605e92f)
242
- Portrait of a Priest of the Borahs [Bohras]
- 1794
243
- A Suttee Monument
- undated
244
- Ekvera
- undated
245
- Female Dancers
- undated
246
- Front View of the Throne of the Late Tippoo Siltaun in the Laul Mahaul Palace of Seringapatan
- undated
247
- Caricature
- undated
248
- Krishna and Radha
- 1792 to 1795
249
- A Nautch or Dance
- ca. 1792
250
- Figure from Elephanta
- undated
251
- The Maratha Peshwa and his Ministers
- undated
252
- Bucks of the First Head
- ca. 1785
253
- The Recruiting Officer
- 1797
254
- The Bridge, Walton on Thames
- ca. 1750
255
- De la Parade Dequinte sur le Coup de Quinte
- 1763
256
- De la Parade de Seconde sur le Coup de Seconde
- 1763
257
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
258
- De la Parade de Prime sur le Coup de Seconde
- 1763
259
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
260
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
261
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
262
- Cobham Hall, Kent: Alternative Design for Doorway and Basement Windows
- undated
263
- The Great Court, Trinity College, Cambridge
- undated
264
- A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
- 1780
265
- Sion House
- undated
266
- The Murder of Kenith Hossack by Captain Lowry
- undated
267
- A Design of Masks
- 1710
268
- York Watergate and Westminster Bridge
- 1796
269
- A Stagecoach and Four Dashing Through a Village on the Bath-London Road
- ca. 1787
270
- Boats, Fishermen and Peasents near a Weir
- undated
271
- Hob Thursts Houses, Monsoldale, Derbyshire
- 1789
272
- Man in Ragged Clothes Seated with Right Arm Over Another Chair
- undated
273
- Beggar with Staff Holding Tricorn Hat
- undated
274
- Head of a Man with a Beard and Long Hair in the Wind
- 1786
275
- Three Figures Standing by Rocky Cliffs, Two Horsemen in Distance Left
- undated
276
- View Within the Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
277
- Study of a Kid
- 1796
278
- Elevation of Amphitheatre of El Djem entitled "Isrus"
- undated
279
- Couple in a Farmyard
- 1782
280
- The Rustic Lover
- 1786
281
- View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
- undated
282
- Donnybrook Fair
- 1788
283
- Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
- undated
284
- Plan of the Temple at Baalbec
- undated
285
- Elevation of Front of most entire Temple at Baalbec
- undated
286
- Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
- undated
287
- Internal Order of the Cell of the most entire Temple at Baalbec
- undated
288
- Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
- undated
289
- Temple at Baalbec: Three Temples amongst other Ruins
- undated
290
- Temple at Thignica Modern, Ain Tunga now totally Destroyed
- undated
291
- Finished Drawing of Unidentified Palladian Mansion
- undated
292
- Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
- undated
293
- Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
- undated
294
- Fragments of Architecture at Temple of Thignica Ain Tunga
- undated
295
- Quadrifrontal Arch Tripoli
- undated
296
- Quadrifrontal Arch, Tripoli
- undated
297
- Quadrifrontal Arch Tripoli
- undated
298
- Right Corinthian Temple at Suttetula Modern Sheitla
- undated
299
- "Arch of Marcus Aurelius at Tripoli "
- ca. 1766
300
- Left Corinthian Temple at Suttetula Modern Sheitla
- undated