A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
5
unknown artist
Thatched Roof and Tree
undated
6
Edward Blore, 1787–1879
Design for a Park Gateway
undated
7
Thomas Rowlandson, 1756–1827
The Picnic
undated
8
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
9
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
10
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
11
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
12
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
13
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
14
Paul Sandby, 1731–1809
London Cries: Flowers
undated
15
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
16
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
17
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
18
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
19
Peter La Cave, active 1769–1810
Haymakers
undated
20
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
21
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
22
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
23
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
24
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
25
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
26
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
27
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
28
Samuel Howitt, 1756–1822
The Toll-house with a Coach Crossing the Bridge
undated
29
Attributed to Samuel Howitt, 1756–1822
Sheet of Studies of Hounds, Hare, Falcon and Ducks
undated
30
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
1841
31
Thomas Heaphy, 1775–1835
Inattention
1808
32
Thomas Heaphy, 1775–1835
Man and Children with a Street Organ and a Monkey
undated
33
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
34
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
35
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
36
Samuel Howitt, 1756–1822
Horses and Wagon Outside a Cottage
undated
37
William Henry Hunt, 1790–1864
View of Old London Bridge
1825
38
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
39
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
40
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
41
John Nixon, ca. 1760–1818
Brighton Races
1805
42
Paul Sandby, 1731–1809
Two Girls Carrying a Basket
undated
43
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
44
Samuel Prout, 1783–1852
Church and Cottages
undated
45
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
46
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
47
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
48
Paul Sandby, 1731–1809
River Ferry with Many Passengers and Animals
undated
49
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
50
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
51
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
52
Paul Sandby, 1731–1809
Musicians and a Performing Bear
undated
53
Benjamin West, 1738–1820
Page Boy Asleep
undated
54
John Thomas Smith, 1766–1833
The Reconcilation
1817
55
John Thomas Smith, 1766–1833
The Smock Exposed
1817
56
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
57
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
58
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
59
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
60
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
61
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
62
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
63
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
64
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
65
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
66
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
67
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
68
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
69
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
70
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
71
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
72
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
73
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
74
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
75
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
76
Sir Richard Colt Hoare, 1758–1838
View in Abruzzo, May 1791
1791
77
Sir Richard Colt Hoare, 1758–1838
At Marino, near Rome
1786 to 1819
78
Sir Richard Colt Hoare, 1758–1838
A Mill at Marino, near Rome
1786 to 1819
79
Sir Richard Colt Hoare, 1758–1838
The Pont du Gard in Languedoc
1786 to 1819
80
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre at Albano
1786 to 1819
81
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
1786 to 1819
82
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
83
Sir Richard Colt Hoare, 1758–1838
The Capuchin Convent at Gensano
1786 to 1819
84
Sir Richard Colt Hoare, 1758–1838
A Convent at Albano overlooking the Campagna
1786 to 1819
85
Sir Richard Colt Hoare, 1758–1838
The Lake of Nemi called Speculum Diane
1786 to 1819
86
Sir Richard Colt Hoare, 1758–1838
The Town and Lake of Nemi, in Italy
1786 to 1819
87
Sir Richard Colt Hoare, 1758–1838
The Tomb of Plautius etc near Tivoli
1786 to 1819
88
Sir Richard Colt Hoare, 1758–1838
At Larici near Albano in Italy
1786 to 1819
89
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
90
Sir Richard Colt Hoare, 1758–1838
Remains of the Claudian Aqueduct near Tivoli
1786 to 1819
91
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
92
Sir Richard Colt Hoare, 1758–1838
A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum