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Materials & Techniques pen
Remove constraint Materials & Techniques: penOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomWork Type watercolor
Remove constraint Work Type: watercolorHeight [cm] 23
Remove constraint Height [cm]: 23Search Results
1
- Mqabba, Qrendi
- 1866
2
- On the Road, Two Hours from Tepelene, 19 April 1857
- 1857
3
- Greek Woodcutter, June 13 /56
- 1856
4
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
5
- Lyons from Quayside on the Rhone
- ca. 1824
6
- Black-backed Jackal
- ca. 1817
7
- Landscape with Ledbury Church Spire
- undated
8
- Landing Place at Pallanza
- undated
9
- Goodrich Castle on the Wye
- ca. 1785
10
- Design for Silverton Park, Devon
- between 1839 and 1845
11
- Horses and Wagon Outside a Cottage
- undated
12
- The Tower of London
- 1801
13
- Sandham, Isle of Wight
- undated
14
- Political Caricature: "The Spiritualists"
- undated
15
- Man and Two Women
- undated
16
- Ruins of Sparta
- 1802-1804
17
- Ruins of Messenia Near Sparta
- 1802-1804
18
- Temple of Concordia
- 1802-1804
19
- Temple of Concordia
- 1802-1804
20
- The Mad House in the Suburbs of Vienna
- 1804
21
- Jungfern Bridge
- 1802-1804
22
- Sooty Falcon
- ca. 1837
23
- Capriccio of a Venetian Courtyard
- undated
24
- River Landscape with Men Fishing and Cattle
- undated
25
- Five Ladies in a Garden
- undated
26
- Chinese Youth Weaving
- undated
27
- Rufous Necked Falcon
- ca. 1837
28
- Staubbach, Lauterbrunnen (Switzerland)
- 1818
29
- After Pinnelli - Group of Peasants Outside a Church
- 1817
30
- A Mountain Landscape with a Shepherd
- undated
31
- The Keep, Arundel Castle
- ca. 1830
32
- The Meat Market
- undated
33
- The Poultry Market
- undated
34
- Premiere Position pour tirer L'Epée
- 1763
35
- Position pour la Garde en Quarte
- 1763
36
- Position pour la Garde en Tierce
- 1763
37
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
38
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
39
- Quatrieme Position du Salut
- 1763
40
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
41
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
42
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
43
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
44
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
45
- Characters in the Streets of London
- 1799
46
- The Greengrocer
- ca. 1819
47
- A Balloon Ascent near Greenwich Hospital
- ca. 1800
48
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
49
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
50
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
51
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
52
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
53
- British Troops Disembarking
- 1799
54
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
55
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
56
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
57
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
58
- Single Brig with Union Jack and Three Figures
- 1821
59
- Studies from a French MSS Bible Register
- undated
60
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
61
- Design for a Ceiling
- undated
62
- Man Beside a Stile
- undated
63
- A Dwelling
- ca. 1760
64
- A Greyhound
- 1760
65
- East View of Furness Abbey
- undated
66
- A Cottage
- 1760
67
- A Dwelling
- undated
68
- Dwelling on a Riverbank
- undated
69
- Landscape with Lake and Figures on a Rocky Road
- 1777
70
- Man with a Yellow Shawl Sitting Crosslegged
- undated
71
- A Nautch or Dance
- ca. 1792
72
- Binsey Church, Oxford
- 1775
73
- Binsey Church, Oxford
- 1775
74
- Portrait of Moses Kean
- undated
75
- Views in the Levant: Study of Figures From a Frieze or Panel
- ca. 1785
76
- Tree amidst Houses
- undated
77
- Grouse Shooting: The Wrong Sort
- undated
78
- Grouse Shooting: The Right Sort
- undated
79
- The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
- undated
80
- The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
- undated
81
- Leeds Castle, Kent
- undated
82
- A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
- 1848
83
- Foxhunting: The Toast
- undated
84
- The 'Royal' Coach Outside the White Lion Inn
- ca. 1845
85
- Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through
- undated
86
- Foxhunting: Rider Jumping a Stile
- undated
87
- Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks
- 1850
88
- Rider Leading a Second Horse, Leaving the Grounds of a Country House
- undated
89
- Horse and Rider Walking to Left in a Hilly Landscape
- undated
90
- Animals of the Cat Family, with a Bear and Foxes
- undated
91
- Stag Hunting
- undated
![Mrs. P. D. H. Page Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]](https://media.collections.yale.edu/thumbnail/ycba/7e453b98-14f2-467a-a495-fdaa692a3979)
92
- Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
- undated
93
- The Leicestershire Hunt - A Struggle for the Start
- undated
94
- H. Grant on Horseback
- undated
95
- Harvesters Setting Out
- undated
96
- View of the Rock Bridge
- between 1795 and 1797
97
- Costessy Hall, Norfolk
- 1831
98
- Foxhunting: The Death
- undated
99
- The Land Gate, Rye, Sussex
- ca. 1795
100
- A Livery Stable
- undated