Creator Gender: male / Collection: Prints and Drawings / Subject Terms: snake

1. Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1803
Materials & Techniques:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. America. A Prophecy, Plate 7, "Albions Angel stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 45, "Bath, healing City!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 44, "With one accord...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 46, "Bath, mild Physician...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 48, "These were his last words...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 9, "Condens'd his Emanations...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. America. A Prophecy, Plate 18, "Over the Hills...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Europe. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 92, "What do I see!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 98, "Then each an Arrow flaming...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Raven and Snake

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1813
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Design of Apollo and the Python for a Painted over-door Decoration

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on thin, slightly textured, beige laid paper laid down on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 8 1/2 inches (21.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Fishing Cove near Columbo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 × 19 5/16 inches (37.7 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. West Window of the Chapel, New College Oxford: The Virtues - Prudence

Creator:: George Siegmund Facius, 1750–1804
Date:: 1782
Materials & Techniques:: Stipple engraving on thick, rough, beige laid paper
Dimensions:: Sheet: 24 1/2 × 18 1/8 inches (62.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Rabbi with a White Turban

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 7/8 × 17 15/16 inches (63.2 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Macbeth and the Witches

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Lion and Snake

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint, etching, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Infant Hercules

Creator:: Print made by William James Ward, ca. 1800–1840
Date:: 1819
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Lady Sarah Bunbury Sacrificing to the Graces

Creator:: Print made by Edward Fisher, 1722–1785
Date:: ca. 1766
Materials & Techniques:: Mezzotint ( 1st state ) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 3/4 × 15 inches (60.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Plaudit Ave Regina

Creator:: Print made by John Smith, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 7 1/4 inches (24.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Bachanalia Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Image: 5 × 3 1/2 inches (12.7 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Ploughman

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 x 28 1/2 inches (51.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Eve

Creator:: Print made by Edward Anthony Carrick, 1905–1998
Date:: undated
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 7 11/16 inches (27.6 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

57. A Samporea or Snake Catcher

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 5 15/16 inches (25.3 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Creator:: Print made by workshop of Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

59. From under the Portico of the Temple of Edfu, Upper Egypt

Creator:: David Roberts, 1796–1864
Date:: 1846
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 3/4 inches (34.6 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Oracle, Representing Britannia, Hibernia, Scotia and America

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 26 1/4 inches (55.9 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset

Creator:: Workshop of Nicholas Hilliard, ca. 1547–1619
Date:: undated
Materials & Techniques:: Watercolor, bodycolor, gold and silver on vellum mounted on playing card
Dimensions:: Overall: 4 5/16 × 3 9/16 inches (11 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Sculpture depicting three heads

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 inches (32.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 x 8 11/16 inches (35.6 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Infant Hercules

Creator:: James Walker, 1748–1808
Date:: 1792
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 26 1/16 × 22 15/16 inches (66.2 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lady Sarah Bunbury, Pouring Libations to the Graces

Creator:: Edward Fisher, 1722–1785
Date:: 1766
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 25 1/8 × 16 1/16 inches (63.8 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Mer de Glace, in the Valley of Chamonix

2. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

3. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

4. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

5. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

6. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

7. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

8. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

9. Jerusalem, Plate 11, "To labours mighty...."

10. Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)

11. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

12. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

13. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

14. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

15. America. A Prophecy, Plate 16, "In the Flames Stood...."

16. America. A Prophecy, Plate 7, "Albions Angel stood...."

17. The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

18. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

19. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

20. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

21. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

22. Jerusalem, Plate 45, "Bath, healing City!...."

23. Jerusalem, Plate 44, "With one accord...."

24. Jerusalem, Plate 46, "Bath, mild Physician...."

25. Jerusalem, Plate 48, "These were his last words...."

26. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

27. Jerusalem, Plate 80, "Encompassd by the frozen net...."

28. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

29. Jerusalem, Plate 9, "Condens'd his Emanations...."

30. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

31. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

32. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

33. America. A Prophecy, Plate 8, "The Morning Comes...."

34. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

35. America. A Prophecy, Plate 18, "Over the Hills...."

36. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

37. Europe. A Prophecy, Plate 2, Title Page

38. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

39. Jerusalem, Plate 72, "And the Thirty-two Counties...."

40. Jerusalem, Plate 92, "What do I see!...."

41. Jerusalem, Plate 98, "Then each an Arrow flaming...."

42. Raven and Snake

43. Design of Apollo and the Python for a Painted over-door Decoration

44. Fishing Cove near Columbo

45. Macbeth and Banquo on the Heath

46. West Window of the Chapel, New College Oxford: The Virtues - Prudence

47. Rabbi with a White Turban

48. Macbeth and the Witches

49. Lion and Snake

50. The Infant Hercules

51. Lady Sarah Bunbury Sacrificing to the Graces

52. Plaudit Ave Regina

53. Bachanalia Scene

54. The Ploughman

55. Life School at the Royal Academy

56. Eve

57. A Samporea or Snake Catcher

58. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

59. From under the Portico of the Temple of Edfu, Upper Egypt

60. The Oracle, Representing Britannia, Hibernia, Scotia and America

61. Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset

62. Sculpture depicting three heads

63. Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

64. The Infant Hercules

65. Lady Sarah Bunbury, Pouring Libations to the Graces