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1. Interior of a Church

Interior of a Church
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Ben Arthur, Scotland

Ben Arthur, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Isis

Isis
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. East Gate, Winchelsea, Sussex

East Gate, Winchelsea, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Aesacus and Hesperie

Aesacus and Hesperie
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, with graphite; Engraver's proof (d)(touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Alcove, Isleworth

The Alcove, Isleworth
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Second published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Alcove, Isleworth

The Alcove, Isleworth
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. East Gate, Winchelsea, Sussex

East Gate, Winchelsea, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Isis

Isis
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Ben Arthur, Scotland

Ben Arthur, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Aesacus and Hesperie

Aesacus and Hesperie
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Interior of a Church

Interior of a Church
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Gibside, County of Durham

Gibside, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1819
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Junction of the Greta and Tees at Rokeby

Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1819
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper with cream chine collé
Dimensions:
Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Views in Sussex, Publisher's Printed Wrapper

Views in Sussex, Publisher's Printed Wrapper
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and letterpress on medium, slightly textured, cream wove paper with chine-collé
Dimensions:
Sheet: 19 × 14 inches (48.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 14 5/8 inches (29.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mr. Fawkes Gallery

Mr. Fawkes Gallery
Creator:
Print made by Henry Moses, ca. 1782–1870
Date:
1819-1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 7/8 × 11 1/16 inches (22.5 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Infant Hercules

The Infant Hercules
Creator:
Print made by William James Ward, ca. 1800–1840
Date:
1819
Materials & Techniques:
Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:
Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. The Penn Family

The Penn Family
Creator:
Print made by Charles Turner, 1774–1857
Date:
1819
Materials & Techniques:
Mezzotint (second state) on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 13/16 × 17 inches (63 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Borthwick Castle

Borthwick Castle
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/8 × 20 1/8 inches (33.3 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. High Street, Edinburgh

High Street, Edinburgh
Creator:
Engraved by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Mary Countess Harcourt

Mary Countess Harcourt
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
ca. 1824
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 9/16 × 9 5/16 inches (31.9 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Frances Countess of Wicklow

Frances Countess of Wicklow
Creator:
Print made by William Say, 1768–1834
Date:
1819
Materials & Techniques:
Mezzotint, proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Battle Abbey, The Spot where Harold Fell

Battle Abbey, The Spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and line engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Vale of Heathfield, Sussex

Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Vale of Ashburnham

The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Image: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Line engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Critchton Castle

Critchton Castle
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. High Street, Edinburgh

High Street, Edinburgh
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Line engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 7/8 inches (26.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Tomb of Cecilia Metella

Tomb of Cecilia Metella
Creator:
Print made by John Byrne, 1786–1847
Date:
1819
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Casade of Terni

Casade of Terni
Creator:
Print made by John Landseer, 1769–1852
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Junction of the Greta and Tees at Rokeby

Junction of the Greta and Tees at Rokeby
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Florence from Fiesoli

Florence from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1819-1826
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Engraving and etching (Second State) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. La Riccia

La Riccia
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 15 1/8 inches (26.8 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. La Riccia

La Riccia
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Harborough Sands

Harborough Sands
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 9 1/8 inches (30.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Harborough Sands

Harborough Sands
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Etching and line engraving; first state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 11/16 × 9 9/16 inches (34.8 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Dunwich, Suffolk

Dunwich, Suffolk
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Dunwich

Dunwich
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 11/16 inches (25.6 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 13/16 × 13 3/4 inches (27.5 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. James Northcote

James Northcote
Creator:
Print made by Abraham Wivell, 1786–1899
Date:
1819
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 × 14 13/16 inches (52.5 × 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Intemperance

Intemperance
Creator:
Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:
undated
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Little Bell Breaking up at Battersea

The Little Bell Breaking up at Battersea
Creator:
William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 11 × 9 1/8 inches (27.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Samuel Johnson

Samuel Johnson
Creator:
Samuel Freeman, 1773–1857
Date:
1819
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 9 x 5 5/8in. (22.9 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Herman W. Liebert

57. View of the Front of the New Public Buildings, Guildford

View of the Front of the New Public Buildings, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Manse and Church of Cults, the Birthplace of Wilkie

Manse and Church of Cults, the Birthplace of Wilkie
Creator:
John Cousen, 1804–1880
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. View of the Old Corn Market and Tuns Inn, Guildford

View of the Old Corn Market and Tuns Inn, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
after 1819
Materials & Techniques:
Hand colored engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Benacre Hall, Suffolk

Benacre Hall, Suffolk
Creator:
Thomas Higham, 1796–1844
Date:
1819
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/16 x 6 9/16 inches (11 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Lincoln from the River Witham

Lincoln from the River Witham
Creator:
Print made by S. T. Davies, active ca. 1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1819
Materials & Techniques:
Etching with hand-coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 9/16 inches (31.2 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Boston Church and Grand Sluice, Lincolnshire

Boston Church and Grand Sluice, Lincolnshire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. James Gillray

James Gillray
Creator:
Charles Turner, 1774–1857
Date:
1819
Materials & Techniques:
Hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Cut Finger

The Cut Finger
Creator:
Abraham Raimbach, 1784–1868
Date:
1819
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 5/16 × 30 1/4 inches (54.1 × 76.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Repository of Arts, Royal Waterloo Bath

The Repository of Arts, Royal Waterloo Bath
Creator:
Published by Rudolf Ackermann, 1764–1834
Date:
1819
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

69. Erith and Belvidere

Erith and Belvidere
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

70. Red Deer Fighting

Red Deer Fighting
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
undated
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

71. Fallow Deer

Fallow Deer
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1819
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

72. James Montgomery Esquire

James Montgomery Esquire
Creator:
Print made by Charles Turner, 1774–1857
Date:
1819
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

73. Megg's Almshouses. Repaired, Improved, and further Endowed by Benjamin Goodwin

Megg's Almshouses. Repaired, Improved, and further Endowed by Benjamin Goodwin
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1819
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

74. Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples

Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection