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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Subject Terms trousers

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1. Interior of an Academy: The Critics

Interior of an Academy: The Critics
Creator:
William Stewart, active 1847–1856
Date:
1848
Materials & Techniques:
Oil on canvas
Dimensions:
32 x 24 1/2 inches (81.3 x 62.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. 'Margrave' with James Robinson Up

'Margrave' with James Robinson Up
Creator:
John Frederick Herring, 1795–1865
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
26 x 38 inches (66 x 96.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Euxton, with John White Up, at Heaton Park

Euxton, with John White Up, at Heaton Park
Creator:
John Ferneley, 1782–1860
Date:
1829
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. 'Crucifix' with John Day Up

'Crucifix' with John Day Up
Creator:
Harry Hall, 1838–1886
Date:
1840 to 1841
Materials & Techniques:
Oil on canvas
Dimensions:
34 x 44 inches (86.4 x 111.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. First Class—The Meeting. "And at first meeting loved."

First Class—The Meeting. "And at first meeting loved."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Discussing a Catch of Salmon in a Scottish Fishing-Lodge

Discussing a Catch of Salmon in a Scottish Fishing-Lodge
Creator:
William Shiels, 1785–1857
Date:
ca. 1840
Materials & Techniques:
Oil on canvas
Dimensions:
38 x 50 3/4 inches (96.5 x 128.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Interior of the British Institution (Old Master Exhibition, Summer 1832)

Interior of the British Institution (Old Master Exhibition, Summer 1832)
Creator:
Alfred Joseph Woolmer, 1805–1892
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. Euphrates

Euphrates
Creator:
William Webb, ca. 1780–1845
Date:
1825
Materials & Techniques:
Oil on canvas
Dimensions:
33 1/4 x 42 inches (84.5 x 106.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. Quentin McAdam

Quentin McAdam
Creator:
Sir Henry Raeburn, 1756–1823
Date:
ca. 1815
Materials & Techniques:
Oil on canvas
Dimensions:
61 x 47 1/4 inches (154.9 x 120 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill

Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
Creator:
William Mulready, 1786–1863
Date:
1831
Materials & Techniques:
Oil on panel
Dimensions:
21 × 17 inches (53.3 × 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. Back View of a Soldier

Back View of a Soldier
Creator:
Edmund Thomas Parris, 1793–1873
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 5/16 × 1 11/16 inches (8.4 × 4.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Sketches from Life in Paris: Man in Blue Trousers

Sketches from Life in Paris: Man in Blue Trousers
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 3 3/8 inches (9.8 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mechanical Grinder with Figures

Mechanical Grinder with Figures
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/16 inches (9.6 × 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Hotel de Sens, Paris

Hotel de Sens, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Corner of the Palais de Justice, Paris

Corner of the Palais de Justice, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. La rue des Prouvaires et l'église saint Eustache, Paris

La rue des Prouvaires et l'église saint Eustache, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Chain Pier at Brighton

Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843

The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
Creator:
Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:
1843
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card
Dimensions:
Sheet: 15 1/16 x 17 11/16 inches (38.2 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Quayside, Notre Dame in Distance

Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Tynemouth Castle and Priory, Northumberland

Tynemouth Castle and Priory, Northumberland
Creator:
Print made by Benjamin Comte, 1760–1851
Date:
1802
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Spring Flood

The Spring Flood
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1865
Materials & Techniques:
Etching on thin, slightly textured, beige India paper laid on thick, slightly textured, cream card
Dimensions:
Mount: 8 1/16 x 6 13/16 inches (20.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Wanderer

The Wanderer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Stephano and Trinculo with Caliban

Stephano and Trinculo with Caliban
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Brown wash with gouache and oil over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 x 4 1/4 inches (15.2 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Sleepest or Wakest Thou?

Sleepest or Wakest Thou?
Creator:
Print made by Richard Ansdell, 1815–1885
Date:
ca. 1853
Materials & Techniques:
Etching on moderately thick, smooth, cream card
Dimensions:
Sheet: 4 1/4 × 5 7/8 inches (10.8 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Two Boys

Two Boys
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 9/16 × 3 1/16 inches (11.6 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Seated Peasant Boy Seen From Behind

A Seated Peasant Boy Seen From Behind
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 2 13/16 × 1 1/4 inches (7.1 × 3.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Sketches of Peasants and Work-Horses

Sketches of Peasants and Work-Horses
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 1/2 inches (15.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Group of Four Seated Men

Group of Four Seated Men
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 1 9/16 × 2 1/2 inches (4 × 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Fisherfolk on the Beach, Ostend

Fisherfolk on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Battersea Bridge

Battersea Bridge
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 × 19 1/2 inches (30.4 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Elderly Couple on a Park Bench, with Two Men Beyond

Elderly Couple on a Park Bench, with Two Men Beyond
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Three Men and Two Boys Sitting on a Pier

Three Men and Two Boys Sitting on a Pier
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 5 9/16 x 7 9/16 inches (14.2 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Punch

Punch
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 13/16 × 12 9/16 inches (22.4 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Penzance, Cornwall

Penzance, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Henry Sass

Henry Sass
Creator:
Daniel Maclise, 1806–1870
Date:
between 1830 and 1835
Materials & Techniques:
Black chalk, graphite, watercolor, and red chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 7 7/16 × 5 1/2 inches (18.9 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Johnny and His Pony

Johnny and His Pony
Creator:
Sir David Wilkie, 1785–1841
Date:
1836
Materials & Techniques:
Brown wash and gray wash, with black chalk, and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. David Roberts

David Roberts
Creator:
Print made by Charles Baugniet, 1814–1886
Date:
1844
Materials & Techniques:
Lithograph on thick, smooth, beige card with gray chine collé
Dimensions:
Sheet: 15 3/8 × 12 3/16 inches (39.1 × 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. William Mulready, R. A.

William Mulready, R. A.
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
after 1836
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 11/16 x 7 1/16 inches (27.1 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. David Cox

David Cox
Creator:
Print made by Samuel Bellin, 1799–1894
Date:
undated
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of Tonbridge During the Late Election

View of Tonbridge During the Late Election
Creator:
Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Show

The Show
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 1/4 inches (22.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. May Day

May Day
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 9/16 inches (21.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Guy Fawkes

Guy Fawkes
Creator:
Print made by Rowney & Forster, active 1820–1822
Date:
after 1821
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 12 1/2 inches (21.8 × 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Seaman Holding a Monkey

Seaman Holding a Monkey
Creator:
Joshua Cristall, 1768–1847
Date:
1816
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, ceam wove paper
Dimensions:
Sheet: 7 7/8 x 4 5/8 inches (20 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Dover Pier

Dover Pier
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1807
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Dover Pier

Dover Pier
Creator:
Joshua Cristall, 1768–1847
Date:
1807
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 19 inches (31.4 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Settling the Disputed Point

Settling the Disputed Point
Creator:
Richard Dadd, 1817–1886
Date:
1854
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 14 3/8 inches (25.4 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Juvenile Members of the Yacht Club

Juvenile Members of the Yacht Club
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection