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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms women
Remove constraint Subject Terms: womenSubject Terms trees
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1
- Landscape near Clifton
- 1822 to 1823
- Not on view
2
- Figures with a Donkey and Dog Crossing a Weir
- 1767
- Not on view
3
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
4
- The Supper by the Fountain
- ca. 1820
- Not on view
5
- The Garden
- ca. 1820
- Not on view
6
- Lago d'Agnano with Vesuvius in the distance
- between 1770 and 1775
- Not on view
7
- Wilton House from the Southeast
- between 1758 and 1760
- Not on view
8
- Winter Landscape with Figures
- ca. 1785
- Not on view
9
- An Unfinished View of the West Gate, Canterbury
- between 1780 and 1785
- Not on view
10
- Classical Landscape: Morning
- between 1740 and 1745
- Not on view
11
- A View along the Thames towards Chelsea Old Church
- between 1810 and 1815
- Not on view
12
- A View of Cheddar Gorge
- ca. 1820
- Not on view
13
- An Italianate Landscape
- ca. 1800
- Not on view
14
- A Landscape with Figures
- 1798
- Not on view
15
- The Serpentine, Hyde Park
- mid-19th century
- Not on view
16
- The Anglers' Repast
- 1789
- Not on view
17
- The Gravenor Family
- ca. 1754
- Not on view
18
- Free West Indian Creoles in Elegant Dress
- ca. 1780
- Not on view
19
- View near Rome
- between 1754 and 1765
- Not on view
20
- Old Walton Bridge
- 1755
- Not on view
21
- West Indian Women of Color, with a Child and Black Servant
- ca. 1780
- Not on view
22
- West Indian Man of Color, Directing Two Carib Women with a Child
- ca. 1780
- Not on view
23
- The Benevolent Heir or the Tenant Restored to his Family
- ca. 1797
- Not on view
24
- London from Greenwich Hill
- 1869 to 1870
- Not on view
25
- Mountain Valley with Figures and Distant Village
- between 1773 and 1777
- Not on view
26
- Wooded Landscape with a Man Talking to Two Seated Women
- ca. 1745
- Not on view
27
- The Deluge
- between 1813 and 1823
28
- The Woman and Tambourine
- 1807
29
- Apuleia in Search of Apuleius
- between 1813 and 1823
30
- Apuleia in Search of Apuleius
- between 1813 and 1823
31
- The Woman and Tambourine
- 1807
32
- Rome from Monte Mario
- ca. 1818
33
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
34
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
35
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
36
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
37
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
38
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
39
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
40
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
41
- I Found Him Beneath a Tree; Plate 3
- 1793
42
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
43
- Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
- 1789
44
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
45
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
46
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
47
- Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
- 1794
48
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
49
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
50
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
51
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
52
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
56
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
57
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
58
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
59
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
60
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
61
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
62
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
64
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
65
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
66
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
67
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
68
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
69
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
70
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
71
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
72
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
73
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
74
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
75
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
76
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
77
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
78
- Songs of Innocence and of Experience
- 1789-1794
79
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
80
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
81
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
82
- Classical Composition
- undated
83
- Notre Dame, Paris
- between 1831 and 1845
84
- Woman on a Horse with Two Standing Women Overlooking a Landscape
- undated
85
- Illustration to the Virtuous Orphan
- undated
86
- Design for a portrait of an architect or a painter
- undated
87
- The Fortune Teller
- 1827
88
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
89
- Hotel de Ville, Hague
- 1859
90
- The Dilkoosha, Lucknow in the Distance
- 1866
91
- Madonna with a Rabbit
- undated
92
- View from the Dean's Garden, Christ Church, Oxford
- undated
93
- Roslin Castle, Midlothian
- ca. 1780
94
- High Street at Bushey, Hertfordshire
- 1812
95
- Buckingham Palace from St. James's Park
- 1830
96
- A Prospect of Vapourland
- 1759
97
- View near Auckland: Maori Warrior and Women
- 1860
98
- Gate Toward Bursit, Aix-la-Chappelle
- 1785
99
- View of Bath from Spring Gardens
- 1790
100
- A Rustic Scene
- undated