Date: 1820 / Image Available: Available - YCBA Collections Search Search Results

301. York, the Old Bridge and St. William's Chapel

Creator:: Henry Cave, 1780–1836
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 19 x 26in. (48.3 x 66cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Procession of Watermen and Lightermen at Southwark

Creator:: Francis Vincent, 1803–1883
Date:: 1820
Materials & Techniques:: Etching and watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Procession of Watermen and Lightermen at Southwark

Creator:: Francis Vincent, 1803–1883
Date:: 1820
Materials & Techniques:: Colored aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Steeplechasing: Three Riders Taking a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1825
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. The London-Dover Royal Mail, c. 1830-1840

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. "Some Do and Some Don't: It is All a Notion:" Getting Home

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1820 and 1821
Materials & Techniques:: Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. A Study from Nature; a lion among rocks, roaring, a human skull lower right

Creator:: Sir George Hayter, 1792–1871
Date:: 1820
Materials & Techniques:: Etching and stipple engraving
Dimensions:: Sheet: 9 7/8 x 11 3/8in. (25.1 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Royal Hunt in Windsor Park

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. The Four-in- Hunt Club-Hyde Park.

Creator:: John Harris, 1811–1865
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 x 21 3/4in. (35.6 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Angling [a pair]: 1. Fly Fishing

Creator:: George Hunt, active 1820–1840
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 19 11/16in. (40 x 50cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Creator:: Bradford Rudge, 1805–1885
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 12 13/16 x 21 1/4in. (32.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. [Fox-hunting] Going to Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. [Fox-hunting] Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. [Fox-hunting] Breaking Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. [Fox-hunting] Tree-ing the Fox

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Gog and Magog, Guildhall

Creator:: after unknown artist
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Fox Hunting: [Tom Oldaker on Pickle...]

Creator:: William Whiston Barney, active 1805–1817
Date:: 1820
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 24in. (45.7 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Angling [a pair]: 1. Fly Fishing

Creator:: George Hunt, active 1820–1840
Date:: undated
Materials & Techniques:: Aquatint, hand-colored with etching
Dimensions:: Sheet: 15 3/4 x 19 11/16in. (40 x 50cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Lambeth Marsh, 1670

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Mr. B seeking the Bubble reputation - Plate 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Finding things not exactly what he expected - Plate 2

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

338. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. East View of the Gateway of Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/16 × 12 inches (25.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The Hall, Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 14 3/4 × 10 9/16 inches (37.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Representation of the Election of Members of Parliament for Westminster 1820

Creator:: Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 13/16 x 20 1/4in. (40.2 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. View of Waterloo Bridge

Creator:: Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 15 1/4in. (29.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Advertisement for Part I of 'Views at Hastings'

Creator:: Engraved by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Queen Elizabeth

Creator:: Thomas Anthony Dean, 1801–1860
Date:: ca. 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. The King's Theatre, Haymarket

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. The Painted Ceiling over the Picture of the Old Theatre in Aliff Street

Creator:: James Stow, ca. 1770–after 1820
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. St. Mary le Strand

Creator:: Joseph Skelton, active 1820–1850
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Southeast View of the Gateway of Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 11 15/16in. (25.4 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Map of the Parish and Prehendal Manor of Stoke Newington

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. The Forum Romanum

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Rome, from the Farnesean Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 7/8 inches (26.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Canonbury Tower, Islington in 1820

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/16 x 10 3/8in. (21.1 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 11 3/16 inches (35.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Fisherman by a Boat with a Dog

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

361. Seran Raja's Palace

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

362. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Traders and a Warship in Coastal Waters

Creator:: George Chambers, 1803–1840
Date:: between 1820 and 1840
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

366. An Album of 17 Views of Erlestoke House, Park and Surroundings

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Graphite and wash, or graphite and watercolor, or graphite, pen and ink and watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Woolwich

Creator:: Print made by Charles Golding Constable, 1821–1879
Date:: between 1820 and 1835
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 6 5/16 x 7 11/16 inches (16.1 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Professor Giles Constable

368. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

Creator:: Print made by Alfred Adlard, 1803–1869
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

369. A View of London taken from Greenwich Park

Creator:: Engraved by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 10 3/8 x 14in. (26.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Fort Candelaria, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Brown wash and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Huckster of Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Mademoiselle Rose Nue, Vue de Dos

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

376. Upnor Lodge

Creator:: Mary Smirke, 1779–1853
Date:: 1820
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Ruin of a Norman Church

Creator:: after John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Errand Boy Asleep in a Church

Creator:: circle of John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor over graphite on medium slightly textured cream wove paper
Dimensions:: Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. The Vulture Landing Despatches at Dantzic

Creator:: Print made by James T. Willmore, 1800–1863
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

381. View of the Site of the Monastery of the Simplon, & of Mount Rosa

Creator:: Print made by unknown artist
Date:: 1820
Materials & Techniques:: Color-printed aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

382. Sèvres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

383. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

384. View of Lambeth Palace on Thames

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Albany Street, Regents Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:: Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Young Woman with Coral Necklace and Crucifix

Creator:: Anne Mee, ca. 1760–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 3 1/8 × 2 1/2 × 1/4 inches (7.9 × 6.4 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

387. Rome, from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Engraving and etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. A Muslim Wedding Procession by Night, Patna

Creator:: Unknown artist (Company style)
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

389. Widow with the Burning Corpse of her Husband Becoming a Sati, Patna

Creator:: Unknown artist (Company style)
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 3/4 inches (40.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

390. Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick

Creator:: Print made by John J. Hinchliff, 1805–1875
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

391. Summer Landscape

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Seated Girl Holding a Stick

Creator:: Joshua Cristall, 1768–1847
Date:: 1820
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 3 5/8 inches (14.9 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Yarmouth Sands, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1820 to 1830
Materials & Techniques:: Watercolor, gouache, graphite, and scraping out on medium smooth cream wove paper
Dimensions:: Sheet: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. The Barons' Hall, Mont Saint Michel

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 1/4 inches (23.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Douvres Church, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 3/8 inches (36.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Notre Dame sur l'Eau, Domfront, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 16 1/4 inches (26 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Study for Quay at Straddon Point Near Plymouth

Creator:: William Daniell, 1769–1837
Date:: ca. 1825
Materials & Techniques:: Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

399. Domfront, Looking to the South East

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Panorama Old London Bridge

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 30 1/8 inches (19.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1820

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301. York, the Old Bridge and St. William's Chapel

302. Florence, from the Chiesa al Monte

303. Procession of Watermen and Lightermen at Southwark

304. Procession of Watermen and Lightermen at Southwark

305. Steeplechasing: Three Riders Taking a Brook

306. The London-Dover Royal Mail, c. 1830-1840

307. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty

308. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.

309. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat

310. "Some Do and Some Don't: It is All a Notion:" Getting Home

311. A Study from Nature; a lion among rocks, roaring, a human skull lower right

312. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

313. Royal Hunt in Windsor Park

314. The Four-in- Hunt Club-Hyde Park.

315. Angling [a pair]: 1. Fly Fishing

316. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

317. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty

318. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive

319. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog

320. [Fox-hunting] Going to Cover

321. [Fox-hunting] Full Cry

322. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall

323. [Fox-hunting] Breaking Cover

324. [Fox-hunting] Tree-ing the Fox

325. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

326. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

327. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

328. Gog and Magog, Guildhall

329. Fox Hunting: [Tom Oldaker on Pickle...]

330. Angling [a pair]: 1. Fly Fishing

331. Lambeth Marsh, 1670

332. Mr. B seeking the Bubble reputation - Plate 5

333. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

334. Finding things not exactly what he expected - Plate 2

335. Frontispiece: The Progress of a Midshipman

336. Morning of the Gale, November 23 1824 in Catwater at Plymouth

337. Church of L'Ery, near Pont-de-l'Arche

338. A General View of the Remains of Bermondsey Abbey, Surrey

339. East View of the Gateway of Bermondsey Abby

340. The Hall, Bermondsey Abby

341. Representation of the Election of Members of Parliament for Westminster 1820

342. View of Waterloo Bridge

343. Fitting out. - Plate 1

344. Advertisement for Part I of 'Views at Hastings'

345. Queen Elizabeth

346. The King's Theatre, Haymarket

347. The Painted Ceiling over the Picture of the Old Theatre in Aliff Street

348. Morning of the Gale, November 23 1824 in Catwater at Plymouth

349. St. Mary le Strand

350. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

351. Southeast View of the Gateway of Bermondsey Abbey

352. Map of the Parish and Prehendal Manor of Stoke Newington

353. The Forum Romanum

354. Rome, from the Farnesean Gardens

355. Florence, from Chiesa al Monte

356. Florence, from Chiesa al Monte

357. Turin from the Portico of the Superga Church

358. Canonbury Tower, Islington in 1820

359. Bermondsey Abby

360. Fisherman by a Boat with a Dog

361. Seran Raja's Palace

362. Plan of the Old Parliament Houses, Westminster

363. View of the Coronation Procession of George IV

364. Saint Lo

365. Traders and a Warship in Coastal Waters

366. An Album of 17 Views of Erlestoke House, Park and Surroundings

367. Woolwich

368. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

369. A View of London taken from Greenwich Park

370. Fort Candelaria, Tenerife

371. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

372. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

373. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

374. Huckster of Port Orotava, Tenerife