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A. M. Redfern (Firm : Leek) Advertisement for A. M. Redfern,
A. M. Redfern (Firm : Leek)
Advertisement for A. M. Redfern,
1827
Abbott, Mr., auctioneer. A catalogue of the genuine household furniture :
Abbott, Mr.
A catalogue of the genuine household furniture
[1827]
Abbott, George, 1803-1838, author, illustrator. Views of the forts of Bhurtpoore & Weire /
Abbott, George, 1803–1838
Views of the forts of Bhurtpoore & Weire
[1827]
Abbott, George, 1803-1838, artist. Drawings for Views of the forts of Bhurtpoore & Weire.
Abbott, George, 1803–1838
Drawings for Views of the forts of Bhurtpoore & Weire
1827?
Albemarle, George Thomas Keppel, Earl of, 1799-1891. Personal narrative of travels in Babylonia, Assyria, Media, and Scythia, in the year 1824.
Albemarle, George Thomas Keppel, Earl of, 1799–1891
Personal narrative of travels in Babylonia, Assyria, Media, and Scythia, in the year 1824
1827
Alexander, James Edward, Sir, 1803-1885. Travels from India to England :
Alexander, James Edward, Sir, 1803–1885
Travels from India to England
1827
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
George Alken Set of Four - Racing: Running
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
George Alken Set of Four - Racing: Preparing to Start
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
George Alken Set of Four - Racing: Exercising
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
George Alken Set of Four - Racing: Coming In
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
Henry Thomas Alken Going at a Rank of Hurdles with Temper and Resolution
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
Henry Thomas Alken "By - he'll get to the Earth..."
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
Henry Thomas Alken "Topping a Park fence and doing the thing easy"
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
Henry Thomas Alken "The Cover Hack"
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
Henry Thomas Alken Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
Henry Thomas Alken The Eagle Paris and Dover [sic] Coach
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
Henry Thomas Alken Fox Hunting: Leicestershire - Getting Away
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
Alken, Henry Thomas, 1784-1851, ill. A few ideas :
Alken, Henry Thomas, 1784–1851
A few ideas
1829
James Baylis Allen Stonyhurst, Lancashire
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
James Baylis Allen Stonyhurst, Lancashire
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
James Baylis Allen Stonyhurst, Lancashire
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831
The Custom House
1827
James C. Allen The Custom House
Print made by James C. Allen, active 1821–1831
The Custom House
1827
Allen, Thomas, 1803-1833. The history and antiquities of London, Westminster, Southwark, and parts adjacent /
Allen, Thomas, 1803–1833
The history and antiquities of London, Westminster, Southwark, and parts adjacent
1827-1828
Arnaud, Henri, 1641-1721. The glorious recovery by the Vaudois of their valleys,
Arnaud, Henri, 1641–1721
The glorious recovery by the Vaudois of their valleys,
1827
Barlow, J. H. The art and method of hatching and rearing all kinds of domestic poultry and game birds by steam /
Barlow, J. H
The art and method of hatching and rearing all kinds of domestic poultry and game birds by steam
1827
Baxter, John, 1781-1858. Baxter's Select sketches in Brighton, Lewes, and their environs :
Baxter, John, 1781–1858
Baxter's Select sketches in Brighton, Lewes, and their environs
1827
Bewick, Thomas, 1753-1828. Vignettes. /
Bewick, Thomas, 1753–1828
Vignettes.
1827
Bewick, Thomas, 1753-1828. Vignettes. /
Bewick, Thomas, 1753–1828
Vignettes.
1827
Bewick, Thomas, 1753-1828. Vignettes /
Bewick, Thomas, 1753–1828
Vignettes
[1827?]
George Birch Plan and View of Room under the Painted Chamber
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827
Blake, William, 1757-1827. Jerusalem :
Blake, William, 1757–1827
Jerusalem
Blasche, Bernhard Heinrich, 1766-1832. The art of working in pasteboard :
Blasche, Bernhard Heinrich, 1766–1832
The art of working in pasteboard
1827
Boid, Edward. Travels through Sicily and the Lipari islands, in the month of December, 1824 /
Boid, Edward
Travels through Sicily and the Lipari islands, in the month of December, 1824
1827
Richard Parkes Bonington Study of a Gentleman in 17th Century Costume
Richard Parkes Bonington, 1802–1828
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
Richard Parkes Bonington Ruines de Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Richard Parkes Bonington Croix de Moulin les Planches
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
Richard Parkes Bonington The Use of Tears
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
John Brandard The Lower Parade with Euston Place, Leamington
John Brandard, 1812–1863
The Lower Parade with Euston Place, Leamington
undated
John Brandard Ruins of Kenilworth Castle and Bed of the Lake
John Brandard, 1812–1863
Ruins of Kenilworth Castle and Bed of the Lake
undated
John Brandard The Parade with the Regent Hotel
John Brandard, 1812–1863
The Parade with the Regent Hotel
undated
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
Robert Brandard Dunstanborough Castle, Northumberland
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
Robert Brandard Dunstanborough Castle, Northumberland
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
Robert Brandard Dunstanborough Castle, Northumberland
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Britton, John, 1771-1857. The union of architecture, sculpture, and painting;
Britton, John, 1771–1857
The union of architecture, sculpture, and painting;
1827
Broke, Arthur de Capell, Sir, Bart., 1791-1858. A winter in Lapland and Sweden,
Broke, Arthur de Capell, Sir, Bart., 1791–1858
A winter in Lapland and Sweden,
1827
Bryant, A., fl. 1822-1835. Map of the county of Northampton /
Bryant, A., fl. 1822–1835
Map of the county of Northampton
1827
Burgess, Henry William, approximately 1792-1844. Eidodendron :
Burgess, Henry William, approximately 1792–1844
Eidodendron
1827
Burnet, John, 1784-1868. A practical treatise on painting :
Burnet, John, 1784–1868
A practical treatise on painting
1827
Burnet, John, 1784-1868. Practical hints on colour in painting :
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
Edward Francis Burney Study of Ancient Roman Millstone (?)
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
Burnouf, Eugène, 1801-1852, author. L'Inde française, ou, Collection de dessins lithographiés représentant les divinités, temples, costumes, physionomies, meubles, armes, et ustensiles des peuples hindous qui habitent les possessions françaises de l'Inde, et en général la côte de Coromandel et le Malabar /
Burnouf, Eugène, 1801–1852
L'Inde française, ou, Collection de dessins lithographiés représentant les divinités, temples, costumes, physionomies, meubles, armes, et ustensiles des peuples hindous qui habitent les possessions françaises de l'Inde, et en général la côte de Coromandel et le Malabar
1827-1835
Letitia Byrne View of the Suspension Bridge across the Thames at Hammersmith
Letitia Byrne, 1779–1849
View of the Suspension Bridge across the Thames at Hammersmith
1827
Edward Calvert The Ploughman
Print made by Edward Calvert, 1799–1883
The Ploughman
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
John James Chalon Music: Composition in a Garden
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
Sir Francis Leggatt Chantrey Alexander Knox
Sir Francis Leggatt Chantrey, 1781–1841
Alexander Knox
late 1820s
Not on view
Chapuy, Nicolas-Marie-Joseph, 1790-1858, ill. Vues pittoresques de la cathédrale de Strasbourg :
Chapuy, Nicolas-Marie-Joseph, 1790–1858
Vues pittoresques de la cathédrale de Strasbourg
1827
George Chinnery Chinese Father and Child with Dog
George Chinnery, 1774–1852
Chinese Father and Child with Dog
1827
Christie, James, 1773-1831, auctioneer, publisher. A catalogue of the very choice collection of modern pictures, which have constituted the very distinguished and universally admired gallery of that accomplished and truly spirited patron of the arts, the Rt. Hon. Lord de Tabley, deceased, at no. 24, Hill Street, Berkely Square :
Christie, James, 1773–1831
A catalogue of the very choice collection of modern pictures, which have constituted the very distinguished and universally admired gallery of that accomplished and truly spirited patron of the arts, the Rt. Hon. Lord de Tabley, deceased, at no. 24, Hill Street, Berkely Square
[1827]
Christie, James, 1773-1831, auctioneer, publisher. A catalogue of a superb assemblage of ornamental Parisian furniture and porcelain :
Christie, James, 1773–1831
A catalogue of a superb assemblage of ornamental Parisian furniture and porcelain
[1827]
Christie, James, 1773-1831, auctioneer, publisher. A catalogue of a valuable selection of Italian, French, Flemish, and Dutch pictures :
Christie, James, 1773–1831
A catalogue of a valuable selection of Italian, French, Flemish, and Dutch pictures
[1827]
Christie, James, 1773-1831, auctioneer, publisher. A catalogue of the very valuable cellar of choice old wines :
Christie, James, 1773–1831
A catalogue of the very valuable cellar of choice old wines
[1827]