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Period 18th century

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A Bridge Over the River Wye
Creator:
John Taylor of Bath, 1735–1806
Date:
1776
Materials & Techniques:
Oil on copper
Dimensions:
9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Rochester
Creator:
Edward Dayes, 1763–1804
Date:
1799
Materials & Techniques:
Oil on canvas
Dimensions:
9 7/8 x 12 13/16 inches (25.1 x 32.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Squire's Door
Creator:
George Morland, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
15 5/16 x 12 7/8 inches (38.9 x 32.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Stage Coach on a Country Road
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1792
Materials & Techniques:
Oil on panel
Dimensions:
10 1/4 x 13 inches (26 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Francis, second Earl of Godolphin
Creator:
Peter Gaspar Scheemakers, 1691–1781
Date:
1733
Materials & Techniques:
Marble
Dimensions:
Overall: 24 1/2 x 13 x 11 inches (62.2 x 33 x 27.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A Horse Affrighted by a Lion
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette work, third state
Dimensions:
Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Autumn Sowing of the Grain
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Complaint and The Consolation: or Night Thoughts
Creator:
William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Hand-colored line engraving
Dimensions:
Spine: 16 3/4in. (42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anger, Envy, and Fear
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 13 1/8 inches (26.7 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Figure studies
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The River at Dusk, Oxford
Creator:
Rev. William Henry Barnard, 1767–1818
Date:
1792
Materials & Techniques:
Watercolor, black chalk and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. A Crane

A Crane
Creator:
William Hayes, active 1775–1794
Date:
1791
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 1/8 inches (43.5 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chapel of the Foundling Hospital, London
Creator:
Attributed to Theodore Jacobsen, died 1772
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 13 1/16 inches (11.4 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Johnny MacCree in the Dumps
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Henrietta, Countess of Rochester
Creator:
Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 16 3/8 inches (49.8 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert
Creator:
John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/8 × 14 3/8 inches (49.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samuel Johnson, L. L. D.
Creator:
Print made by William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/8 x 13 11/16 inches (46.1 x 34.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Honorable Augustus Keppel, Admiral of the Blue
Creator:
Print made by William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 18 1/4 x 13 5/16 inches (46.3 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lucy Hardinge (née Long)
Creator:
Thomas Watson, 1743–1781
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 15 3/16 inches (51.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Hawkesworth
Creator:
James Watson, 1740–1790
Date:
1773
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 17 × 13 inches (43.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Williams Hope of Amsterdam
Creator:
Charles Howard Hodges, 1764–1837
Date:
1788
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 1/4 × 12 15/16 inches (43.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Caroline Howard
Creator:
Valentine Green, 1739–1813
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 5/8 × 13 5/8 inches (47.3 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford: The Virtues - Temperance
Creator:
George Siegmund Facius, 1750–1804
Date:
1782
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/16 × 18 1/16 inches (63.7 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samuel Foote
Creator:
John Blackmore, active 1740–1780
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/4 × 13 1/4 inches (45.1 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Goodwood, West Sussex: Ceiling Design
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 22 inches (39.5 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
Creator:
Humphry Repton, 1752–1818
Date:
ca. 1795
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King's Mews, Charing Cross, London: Section
Creator:
William Kent, ca.1686–1748
Date:
1731
Materials & Techniques:
Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Flaxman
Creator:
Ozias Humphry, 1742–1810
Date:
1778
Materials & Techniques:
Black chalk, and white chalk on medium, slightly textured, brown laid paper
Dimensions:
Mount: 12 9/16 × 13 11/16 inches (31.9 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Turnips & Carrots ho
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
The West India Washer-Women
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Nelly O'Brien
Creator:
Print made by Charles Phillips, 1737– after 1783
Date:
1770
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/4 × 13 1/8 inches (46.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Elizabeth Godden (née Houghton), Lady Taylor
Creator:
Print made by William Dickinson, 1746–1823
Date:
ca. 1775
Materials & Techniques:
Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 16 1/2 inches (54 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Sarah Campbell
Creator:
Print made by Valentine Green, 1739–1813
Date:
ca. 1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 13 3/16 inches (43.9 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Elizabeth, Countess of Derby
Creator:
Print made by John Dean, 1754–1798
Date:
1780
Materials & Techniques:
Mezzotint (only state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 14 3/8 inches (51.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Henry Bunbury
Creator:
Print made by James Watson, 1740–1790
Date:
1778
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/16 × 14 5/16 inches (49.4 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

86. Alope

Alope
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1787
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 18 3/16 inches (35.5 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Strawberrys, Scarlet Strawberries.
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A New Love Song, Only ha'Penny a Piece
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edgar, "King Lear", Act III, Scene III
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1775
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 x 13in. (40.6 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
L'Antiquaire
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 13 1/16 inches (42.9 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Henderson
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1783
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/16 × 13 inches (43.7 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Samuel Dyer
Creator:
Giuseppe Marchi, ca. 1735–1808
Date:
1773
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 5/8 × 13 1/8 inches (44.8 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barbara Palmer (née Villiers) Countess of Castlemaine
Creator:
Thomas Watson, 1743–1781
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Sarah Campbell
Creator:
Valentine Green, 1739–1813
Date:
1779
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 18 × 13 1/4 inches (45.7 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Najel

Najel
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/8 inches (22.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs.Catherine Bunbury (née Horneck)
Creator:
James Watson, 1740–1790
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 1/2 × 15 5/8 inches (52.1 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Prospect of St. Martin's Church
Creator:
George Vertue, 1684–1756
Date:
1720
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 1/2 x 12 15/16in. (24.1 x 32.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Prospect of the Church of St. Alphage
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 13 1/16in. (30.5 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 13 1/16 inches (21.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: A Camel
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection