The Liverpool and National Steeplechase at Aintree, 1843
ca. 1843
Not on view
5
William Tasker, 1808–1852
Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester
ca. 1839
Not on view
6
Frederick W. Watts, 1800–1862
Landscape with Cottages
ca. 1830
Not on view
7
Walter Richard Sickert, 1860–1942
Dieppe Races
1885
Not on view
8
unknown artist
The Wolverhampton Racecourse
1837
Not on view
9
Harry Hall, 1838–1886
'Crucifix' with John Day Up
1840 to 1841
Not on view
10
Benjamin Marshall, 1768–1835
Foxhunting Scene
1808
Not on view
11
Benjamin Marshall, 1768–1835
Muly Moloch
1803
Not on view
12
James Pollard, 1792–1867
John Smith Barry’s Private Drag and Grey Team
1824
Not on view
13
James Pollard, 1792–1867
Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
1818
Not on view
14
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: The Meet
1835 to 1836
Not on view
15
unknown artist
Landscape with Lake and Two Figures Riding
ca. 1820
Not on view
16
William Frederick Witherington, 1785–1865
Mid-Day Rest, Harvest
ca. 1840
Not on view
17
Attributed to George Sidney Shepherd, 1784–1862
The Serpentine, Hyde Park
mid-19th century
Not on view
18
Benjamin Marshall, 1768–1835
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
between 1806 and 1807
Not on view
19
Sir Charles Lock Eastlake, 1793–1865
A View of Trajan's Forum, Rome
1821
Not on view
20
James Ward, 1769–1859
Kenilworth Castle, Warwickshire
1840
Not on view
21
Robert Smith, 1787–1873
Inside the Main Entrance of the Purana Qila, Delhi
1823
Not on view
22
Jacques-Laurent Agasse, 1767–1849
Old Smithfield Market
1824
Not on view
23
Henry Thomas Alken, 1785–1851
Scenes from a steeplechase: Near the Finish
ca. 1845
Not on view
24
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
between 1820 and 1830
Not on view
25
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
between 1820 and 1830
Not on view
26
John Frederick Herring, 1795–1865
Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery
before 1847
Not on view
27
John Dalby, active 1826–1853
The Quorn Hunt in Full Cry: Second Horses
ca. 1835
Not on view
28
John Ferneley, 1782–1860
Archery Meeting in Bradgate Park, Leicestershire
1850
Not on view
29
Charles Cooper Henderson, 1803–1877
A Scene on the Road in France
1835
Not on view
30
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
31
Benjamin Marshall, 1768–1835
John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer
ca. 1804
Not on view
32
John Ferneley, 1782–1860
Thomas Wilkinson, M.F.H., with the Hurworth Foxhounds
1846
Not on view
33
Luke Clennell, 1781–1840
Baggage Wagons in a Thunderstorm
ca. 1815
Not on view
34
Richard Ansdell, 1815–1885
The Caledonian Coursing Meeting
1844
Not on view
35
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
36
James Pollard, 1792–1867
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
37
Richard Barrett Davis, 1782–1854
George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
1836
Not on view
38
Sir Charles D'Oyly, 1781–1845
Street in Patna
ca. 1825
Not on view
39
George Jones, 1786–1869
Study for 'Battle of Waterloo'
1815
Not on view
40
George Henry Laporte, 1799–1873
Mameluke purchasing an Arabian stallion
ca. 1835
Not on view
41
Frederick Nash, 1782–1856
Westminster Bridge
ca. 1825
Not on view
42
William Mulready, 1786–1863
An Old Gable
ca. 1809
Not on view
43
James Pollard, 1792–1867
North Country Mails at the Peacock, Islington
1821
Not on view
44
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
45
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
46
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
47
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
48
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
49
unknown artist
Horses, Cow and Men
undated
50
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
51
Samuel Prout, 1783–1852
Coast Scene near Plymouth
undated
52
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
53
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
54
Joseph Nash, 1808–1878
Sketches of Towns People
1827
55
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
56
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
57
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
58
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
59
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
60
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
61
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
62
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
63
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
64
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
65
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
66
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
67
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
68
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
69
Henry Thomas Alken, 1785–1851
Shot from a Gun
undated
70
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
71
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
72
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
73
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
74
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
75
Print made by Richard Parkes Bonington, 1802–1828
Façade St. Jean
ca. 1824
76
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
77
Print made by Day & Co., 1824–1913
Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
1839
78
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
79
Print made by William John Cooke, 1797–1865
Worcester
undated
80
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
81
Print made by Thomas Talbot Bury, 1811–1877
The Royal Naval School at New Cross
undated
82
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
83
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
84
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
85
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
86
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
87
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
88
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
89
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
90
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
91
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
92
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
93
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
94
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
95
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
96
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
97
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
99
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
100
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty