Trois Dogs: a Graphic Tale, with a Moral... for Those Who Can Find It Out!
1834
302
Print made by John Luard, 1790–1875
Simla
between 1832 and 1838
303
Print made by John Luard, 1790–1875
Pilgrims
undated
304
William Alfred Delamotte, 1775–1863
View from Stokenchurch Hill, Buckinghamshire
1821
305
William Alfred Delamotte, 1775–1863
A Bridge over the Arno (?)
undated
306
Edward Duncan, 1803–1882
Notre Dame, Paris, from the Left Bank
1840
307
Clarkson Stanfield, 1793–1867
Verona
1833
308
Alfred Stevens, 1817–1875
Architectural Design, probably for a church
undated
309
Alfred Stevens, 1817–1875
Study of three figures in Movement
undated
310
unknown artist
Design for a Cartouche: an Eagle Holding a Shield
undated
311
John Sell Cotman, 1782–1842
Château Navarre, near Evreux, Normandy
ca. 1830
312
unknown artist
Mountain Landscape
19th century
313
Charles Robert Cockerell, 1788–1863
The Temple of Venus in the Port at Aegina: Elevations
1811
314
William Henry Fox Talbot, 1800–1877
Lace Sample
ca. 1845
315
Clarkson Stanfield, 1793–1867
Castles of Rheinfels and Thurnberg on the Rhine
undated
316
James Stark, 1794–1859
Thetford Priory
undated
317
David Cox, 1783–1859
Warwick Castle
1840s
318
John Sell Cotman, 1782–1842
The Sepulchral Brass of Robert Braunche and His Two Wives in Saint Margaret's Church, Lynn, Norfolk, 1364
ca. 1818
319
James Anderson, 1813–1877
Base of the Column of Antoninus Pius, Vatican
ca. 1857
320
Henry Bright, 1810–1873
Cottages at Oxford
undated
321
Charles Dyce, active 1848
View of Malta
1848
322
George Chambers, 1803–1840
A Lugger Signaling a Passing Frigate
undated
323
Charles Dyce, active 1848
Mediterranean Port (or Aden?)
1848
324
Charles Dyce, active 1848
Elysium Row, Calcutta
ca. 1849
325
Charles Dyce, active 1848
Passengers aboard the Nile steamer
ca. 1849
326
Charles Dyce, active 1848
View of Malta
ca. 1849
327
Charles Dyce, active 1848
Point de Galle, Ceylon (Sri Lanka)
ca. 1849
328
Charles Dyce, active 1848
The Harbor, Alexandria
ca. 1849
329
Charles Dyce, active 1848
View at Malta
ca. 1849
330
Charles Dyce, active 1848
View of Gibraltar
ca. 1849
331
Charles Dyce, active 1848
A Mediterranean Port (or Aden?)
ca. 1849
332
Charles Dyce, active 1848
View on the Nile
ca. 1849
333
Charles Robert Cockerell, 1788–1863
Title Page Layout for the "Antiquities of Aegina"
1833
334
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Sections
1860
335
Joshua Cristall, 1768–1847
Young Woodcutter
1818
336
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
337
Print made by William Heath, 1795–1840
A Mistake
1829
338
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
339
Print made by Henry Heath, active 1824–1835
Out of Court. Auspicium Melioris Devi
1827
340
George Arnald, 1763–1841
The Demolition of Old London Bridge
1832
341
Henry Edridge, 1769–1821
St. Alban's Abbey
1805
342
François Louis Thomas Francia, 1772–1839
A French Canal Scene
1810
343
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
344
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
345
David Simson, 1803–1874
On the Dee (view with fishing gear)
between 1861 and 1863
346
David Simson, 1803–1874
Goatfell Arran (view with pitcher)
between 1861 and 1863
347
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
348
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
349
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
350
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
351
David Simson, 1803–1874
At Tunbridge Wells (city street)
1863
352
David Simson, 1803–1874
At Galldon
between 1861 and 1863
353
David Simson, 1803–1874
On the Dee (view of boat)
1861-1863
354
David Simson, 1803–1874
On the Fench
between 1861 and 1863
355
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
356
unknown artist
Blackbreasted Dark Red
1810
357
unknown artist
Streaky Breasted Red Dunn
1810
358
David Simson, 1803–1874
Banchory
between 1861 and 1863
359
David Simson, 1803–1874
Junction of Fench and Dee
between 1861 and 1863
360
David Simson, 1803–1874
At Haddon Hall (view of fireplace)
1861
361
David Simson, 1803–1874
Banchory
between 1861 and 1863
362
unknown artist
Church with Town, Cliffs and Sea Beyond
undated
363
unknown artist
Cavorting Putti with Classical Vase and Fountain
undated
364
unknown artist
Pevensy Castle
undated
365
unknown artist
Entrance to a Village Below an Abbey
undated
366
unknown artist
North View of the Refectory Battle Abbey
undated
367
James Ward, 1769–1859
The Right Reverend George Huntingford, Lord Bishop of Gloucester
1807
368
Charles Turner, 1774–1857
Cyril Jackson
1811
369
William Holl II, 1807–1871
Lloyd, Lord Kenyon, Baron of Gredington
1804
370
William Say, 1768–1834
Reverend William Lort Mansel, Lord Bishop of Bristol
1812
371
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
372
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
373
Charles Turner, 1774–1857
Edward Law, 1st Baron Ellenborough
1809
374
Print made by Sir Frank Short, 1857–1945
Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces
1889
375
unknown artist
The Right Honourable Henry Grattan
1814
376
George Clint, 1770–1854
Robert Haldane, Esq
1805
377
Print made by Samuel Cousins, 1801–1887
Elizabeth Duchess of Rutland
1825
378
Charles Turner, 1774–1857
Miss A. M. Tree
1820
379
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
380
Print made by Sir Frank Short, 1857–1945
The "Victory" Coming Up Channel
1891
381
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
382
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
383
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
384
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
385
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
386
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
387
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
388
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
389
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
390
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
391
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
392
Print made by Miss Frances Waring, active 1801–1826
Dunbarton Castle
1803
393
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
394
Print made by Richard Cooper the Younger, 1740–1814
Landscape with Fallen Tree
1806
395
Print made by William Say, 1768–1834
Lady Pitt
1802
396
Charles Turner, 1774–1857
Lord Viscount Castlereagh
1814
397
Print made by Sir Frank Short, 1857–1945
St. Mary Redcliffe, Bristol
1888
398
Print made by Day & Co., 1824–1913
Holford House, Regent's Park
ca. 1830
399
Thomas Sutherland, ca. 1785–1838
The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1821
400
Thomas Sutherland, ca. 1785–1838
The West or Garden Front of the Pavilion at Brighton, The Marine Palace of His Majesty George the IVth