Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
3
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
4
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
5
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
6
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
7
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
8
Theodor von Holst, 1810–1844
Faust and Margaret
undated
9
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
10
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
11
George Jones, 1786–1869
Portentous Things
undated
12
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
13
George Henry Harlow, 1787–1819
Hecate
1815
14
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
15
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
16
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
17
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
18
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
19
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
20
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
21
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
22
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
23
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
24
Robert Smirke, 1752–1845
Prospero and Ariel
1821
25
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
26
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
27
unknown artist
Lear in the Storm
undated
28
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
29
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
30
Robert Smirke, 1752–1845
Stephano and Trinculo with Caliban
1821
31
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
32
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
33
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
34
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
35
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
36
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
37
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
38
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
39
Robert Smirke, 1752–1845
Oberon and Puck
1825
40
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
41
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
42
Robert Smirke, 1752–1845
Claudio and Isabella
1823
43
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
44
Robert Smirke, 1752–1845
Viola and Olivia
1822
45
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
46
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
47
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
48
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
49
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
50
Robert Smirke, 1752–1845
Katherina and Grumio
1821
51
Thomas Stothard, 1755–1834
The Tenth Day of the Decameron
ca. 1825
52
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
53
Robert Smirke, 1752–1845
Anne Page and Slender
1821
54
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
55
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
56
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
57
George Augustus Sala, 1828–1895
Mefistofile II
1880
58
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
59
Robert Smirke, 1752–1845
Malvolio Dancing
1827
60
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
61
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
62
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
63
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
64
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
65
Florence Claxton, active 1855–1889
L'Allegro
undated
66
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
67
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
68
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
69
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
70
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
71
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
72
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
73
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
74
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
75
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
76
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
77
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
78
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
79
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
80
David Cox, 1783–1859
Pirate's Isle
1826
81
Robert Smirke, 1752–1845
Olivia and Maria
1822
82
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
83
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
84
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
85
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
86
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
87
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
88
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
89
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
90
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
91
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
92
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
93
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
94
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
95
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
96
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
97
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
98
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
99
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
100
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857