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Materials & Techniques watercolor
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1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
5
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
6
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
7
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
8
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
9
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
16
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
17
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
18
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
19
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
20
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
24
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
25
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
26
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
27
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- Drifting
- 1885
30
- Woman Fishing
- undated
31
- Woman in Costume
- undated
32
- Devoted Wife
- undated
33
- Cat Like Courtship
- undated
34
- A Wood Stream with Angler
- undated
35
- Chalfont Lodge, Buckinghamshire
- undated
36
- Interior of a Gothic Church
- undated
37
- Interior of a Gothic Church
- undated
38
- Window West End, South Aisle, Saint Vincent
- undated
39
- A Seated Peasant Woman Seen From Behind
- undated
40
- A Peasant Woman, Standing, Seen From Behind
- undated
41
- A Seated Peasant Woman
- before 1841
42
- Studies of Tradesmen and Grooms
- undated
43
- Bucks of the First Head
- ca. 1785
44
- The Thatched Cottage
- undated
45
- Wanstead House
- undated
46
- Extensive wooded landscape with figures in foreground left
- Undated
47
- Couple in a Farmyard
- 1782
48
- The Rustic Lover
- 1786
49
- Scottish Peasant Women
- undated
50
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
51
- La Mancha
- 1828
52
- Italianate Landscape with Travellers no. 2
- ca. 1760
53
- Italianate Landscape with Travelers, No. 1
- ca. 1765
54
- Woman with a Blue Smock
- undated
55
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
56
- A Fisherwoman, Hands under Apron
- undated
57
- Street Scene at Stratford by Bow
- undated
58
- A Woman of Fashion in Walking Dress
- undated
59
- The Assignation
- undated
60
- The Monnow Bridge, Monmouthshire
- before 1814
61
- Incantation Scene
- undated
62
- Mrs. Morland's Portrait
- ca. 1802
63
- Adelaide
- between 1785 and 1786
64
- The Meat Market
- undated
65
- The Poultry Market
- undated
66
- The Spoiled Child, Scene III
- ca. 1802
67
- Conway Castle
- 1789
68
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
69
- The Gate at Blenheim
- 1787
70
- Mrs. Abington
- undated
71
- A Mountain Lake
- undated
72
- Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
- undated
73
- Cavalier and Maid in Spanish Costume
- undated
74
- Woman Dressing, with Maid
- undated
75
- Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
- 1822
76
- Woman Bending over Basket
- undated
77
- The Death of Cordelia
- undated
78
- A Regency House
- ca. 1820
79
- London Cries: A Muffin Man
- ca. 1759
80
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
81
- Evening
- 1828
82
- Woman with Cattle
- 1803
83
- Coast Scene near Plymouth
- undated
84
- London Cries: "Black Heart Cherries..."
- ca. 1759
85
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
86
- London Cries: "Do You Want any Spoons..."
- ca. 1759
87
- London Cries: A Fishmonger
- ca. 1759
88
- London Cries: Fun upon Fun
- 1759
89
- London Cries: Last Dying Speech and Confession
- ca. 1759
90
- Enter Malvolio, Crossgartered..
- 1863
91
- A London Street Crier
- undated
92
- A Regency Pair
- 1802
93
- A Regency Pair: Man with Walking Stick
- 1802
94
- Hero and Leander
- 1801
95
- Miss Charlotte Sandby
- undated
96
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
97
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
98
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
99
- Faust and Margaret
- undated
100
- Beside the Lily-Pond
- 1869