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Materials & Techniques red chalk
Remove constraint Materials & Techniques: red chalkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
1
- Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
- 1795 to 1806
2
- Human Figure, Anterior View (Largely in outline)
- 1795 to 1806
3
- Study of the Human Figure, Anterior View (Probably related to Table XI)
- 1795 to 1806
4
- Human Figure, Posterior View (Finished Study for an Unpublished Plate)
- 1795 to 1806
5
- Human Figure, Posterior View (Further Study for Table XII)
- 1795 to 1806
6
- Human Body, Posterior View (Outline Drawing for Table VII)
- 1795 to 1806
7
- Human Figure, Posterior View
- 1795 to 1806
8
- Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
- 1795 to 1806
9
- Tiger Skeleton, Lateral View
- 1795 to 1806
10
- Tiger Skeleton, Lateral View
- 1795 to 1806
11
- Tiger Body, Lateral View
- 1795 to 1806
12
- Tiger Body, Lateral View
- 1795 to 1806
13
- Human Figure, Anterior View (Intended for a Plate That was Never Published)
- 1795 to 1806
14
- Human Skeleton, Anterior View
- 1795 to 1806
15
- Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
- 1795 to 1806
16
- Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
- 1795 to 1806
17
- Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
- 1795 to 1806
18
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
19
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
20
- Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
- 1795 to 1806
21
- Leopard Body, Lateral View
- 1795 to 1806
22
- Leopard Body, Lateral View
- 1795 to 1806
23
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
24
- Fowl Body, Lateral View (Study for key figure to Table X)
- 1795 to 1806
25
- Owl Standing, Anterior View
- 1795 to 1806
26
- Human Skeleton, Lateral View
- 1795 to 1806
27
- Tiger Body, Lateral View
- 1795 to 1806
28
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
29
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
30
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
31
- Leopard Body, Lateral View
- 1795 to 1806
32
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
33
- Fowl Body, Lateral View (Study for the Key Figure to Table XV)
- 1795 to 1806
34
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
- 1795 to 1806
35
- Dorking Hen, Lateral View
- 1795 to 1806
36
- A Prancing Horse, Facing Right
- ca. 1790
37
- Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
- undated
38
- Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
- 1795 to 1806
39
- The First Stage of Cruelty
- ca. 1750
40
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
41
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
42
- Henry Sass
- between 1830 and 1835
43
- Study of a Seated Woman
- undated
44
- Study of a Man
- undated
45
- A Street Scene in Granada on the Day of the Bullfight
- 1833
46
- Portrait of a Gentleman
- undated
47
- Head of a Man
- 1732
48
- Head of a Young Man
- undated
49
- Portrait of John Locke, The Philosopher
- after 1704
50
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
51
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
52
- A Head Keeper, Windsor Castle, 1826
- 1826
53
- Man in Egyptian Dress
- undated
54
- Study for Ceiling: Apollo and other Figures
- undated
55
- Portrait of a Young Man
- undated
56
- Countess Poulett
- undated
57
- Head of a Man with Stubble Beard, Facing Right
- undated
58
- A Man Lifting a Trunk, Two studies on one sheet
- 1792
59
- Fisherman and Dog Sitting by the Coast
- 1803
60
- A Sportsman Loading His Gun
- undated
61
- Two Sleeping Dogs
- undated
62
- Woman with Square Hat
- undated
63
- Studies, with Gardens, Possibly for a Talman Family House
- undated
64
- Study of a Man in a Long Robe
- undated
65
- Study of Feet
- undated
66
- Study of a Soldier
- undated
67
- Caricature Self-Portrait
- undated
68
- Allegorical Subject
- undated
69
- A Bridge in a Landscape
- undated
70
- The Elegant Establishment for Young Ladies (study for)
- undated
71
- Cottage in Herefordshire
- before August 1820
72
- Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
- ca. 1798
73
- Mr. Mathews as Matthew Daw in the School for Friends
- 1805
74
- A Lady, full length, Wearing a Blue Sash and Holding a Fan
- 1795
75
- A Gentleman, full length, Holding a Paper and Pencil
- 1795
76
- Lady in a Bonnet
- between 1760 and 1765
77
- An Actress
- 1806
78
- Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
- 1802
79
- Farm House Kitchen at Brackham in Surrey
- undated
80
- Arthur Gore, first Earl of Arran
- undated
81
- Portrait Study of Mrs. George Morland
- undated
82
- Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
- undated
83
- Study of classical sculpture or reclining figure
- between 1730 and 1768
84
- Three studies of heads from classical figures
- between 1730 and 1768
85
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
86
- Head of a Woman
- undated
87
- Two Prize Fighters
- ca. 1742
88
- Young Child with Lap-Dog
- undated
89
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
90
- Portrait of a Gentleman
- 1832
91
- The Itinerant Pedlar
- undated
92
- Preparatory drawing for The Waltz
- 1820s
93
- Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
- between 1709 and 1717
94
- Child's Broken Cart and Fiddler's Wife's Arm
- 1806
95
- Lady on a Terrace Tending a Carnation Plant
- undated
96
- Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
- undated
97
- Sleeping Pig
- undated
98
- Study of a Woman Sewing and a Girl Reading
- ca. 1785
99
- Portrait of John Dixon, Facing Right
- undated
100
- A Priest with Two Children
- between 1825 and 1828