Materials & Techniques: hand coloring / On-site Access: Accessible by appointment in the Study Room / Work Type: intaglio print

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

Print made by Charles Turner, 1774–1857

Two Durham Oxen

1828

Print made by William Heath, 1795–1840

Finis

1829

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match at Lucknow

1792

Print made by James Walker, 1748–1808

Peterborough

1796

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

Print made by Daniel Orme, 1766–1837

The Celebrated Victory ... on the Glorious First of June 1794

1795

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

John Goldar, 1729–1795

William Dodd, L. L. D

between 1775 and 1795

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

John Hill, 1770–1850

Pass-Room Bridewell

1808

John Hill, 1770–1850

Dining Hall, Asylum

1808

Attributed to John Hassell, 1767–1825

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Luigi Schiavonetti, 1765–1810

The Mask

1790

John Harris, active 1686–1740

The Revolt of the Fleet, 1642

ca. 1710

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Print made by William Ward, 1766–1826

A Young Lady Encouraging the Low Comedian

1787

John Bluck, active 1791–1831

Ackerman's Library for Works of Art

1813

unknown artist

View of the Bank of England

1822

unknown artist

Interior View of the Bank

1811

unknown artist

North Front of the Bank

1797

unknown artist

The Bank of England in ye Poultry

1724

unknown artist

The Bank

1792

Thomas Malton, 1726–1801

Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

1790

unknown artist

South Front of the Bank

1798

unknown artist

The North View of Battersea

undated

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Frederick Christian Lewis the Elder, 1779–1856

Tivoli

1800

Francois Vivares, 1709–1780

The Lodge and Garden from the Great Lake

1772

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Francois Vivares, 1709–1780

The Moat Island

1772

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by unknown artist

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

1755

Print made by Henry Walter, 1786–1849

Londres. Vue Prise de la Tour de l'Eglise de St. Paul

1860

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Print made by John Porter, active 1838

The Chillington Oxen

1838

Print made by Charles Turner, 1774–1857

West Highland Heifer Kyloe

1823

Print made by Francis Jukes, 1747–1812

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

1802

Print made by unknown artist

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox

undated

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Richard Bernard Godfrey, 1728–op.1794

Ships in Distress

1796

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

Print made by Gerard van der Gucht, 1696–1776

Tellicherry

1736

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

Etched by Thomas Rowlandson, 1756–1827

English Barracks

1791

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Francesco Bartolozzi, 1728–1815

Accurate Perspective View of the Outside of the Royal Exchange in London

1788

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Print formerly attributed to Thomas Girtin, 1775–1802

Cottage and Two Cows Being Milked

1805

Robert Dodd, 1748–1816

Howe's Victory off Ushant

1795

James Gillray, 1756–1815

The Nabob Rumbled or A Lord Advocates Amusement

1783

James Gillray, 1756–1815

Apothecaries, Taylors & c. Conquering France and Spain

1779

James Gillray, 1756–1815

INTEGRITY retiring from Office

1801

James Gillray, 1756–1815

Charming-well again

1804

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissors, and Razors to Grind

1795

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by William Heath, 1795–1840

Who'll Have a Crown - Now's Your Time

1830

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by Joseph Constantine Stadler, active 1780–1812

The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

1800

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754