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Subject Terms women

William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 25, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 25, "A Long Story."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 13, "And that toward Eden...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 13, "And that toward Eden...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

1804 to 1820

William Blake Jerusalem, Plate 31, "His western heaven...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 31, "His western heaven...."

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake Jerusalem, Plate 54, "In Great Eternity...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 54, "In Great Eternity...."

1804 to 1820

William Blake Jerusalem, Plate 59, "And formed into Four precious stones...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 59, "And formed into Four precious stones...."

1804 to 1820

William Blake Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

1804 to 1820

William Blake Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 63, "Jehovah stood among the Druids...."

1804 to 1820

William Blake Jerusalem, Plate 5, "The banks of the Thames...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Five Visionary Heads of Women

William Blake, 1757–1827

Five Visionary Heads of Women

1819 to 1820

James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

1802

Joseph Nash Fashionable Men and Women Promenading

Joseph Nash, 1808–1878

Fashionable Men and Women Promenading

1827

Henry Monro High Street at Bushey, Hertfordshire

Henry Monro, 1791–1814

High Street at Bushey, Hertfordshire

1812

John Nixon Martha Gunn, Bather at Brighton

John Nixon, ca. 1760–1818

Martha Gunn, Bather at Brighton

1791

William Payne On the River Tivy, near Cardigan, Wales

William Payne, active 1850s

On the River Tivy, near Cardigan, Wales

1826

Aaron Edwin Penley Sheet of Studies of Deer, Figures and Landscape

Aaron Edwin Penley, 1807–1870

Sheet of Studies of Deer, Figures and Landscape

undated

John Hamilton Mortimer Two Men Fighting Before a Woman

John Hamilton Mortimer, 1740–1779

Two Men Fighting Before a Woman

1771

John Hamilton Mortimer Choir and Orchestra (A Choral Band)

John Hamilton Mortimer, 1740–1779

Choir and Orchestra (A Choral Band)

1776

John Hamilton Mortimer Two Heads in a Roundel

attributed to John Hamilton Mortimer, 1740–1779

Two Heads in a Roundel

undated

John Hamilton Mortimer Saint Paul Preaching to the Britons

John Hamilton Mortimer, 1740–1779

Saint Paul Preaching to the Britons

between 1775 and 1778

Ambrose Poynter Sketches from Life in Paris: Two Women

Ambrose Poynter, 1796–1886

Sketches from Life in Paris: Two Women

ca. 1835

William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking

William Henry Pyne, 1769–1843

An Illustration to Rob Roy: Interior with a Party Drinking

undated

John Nixon In Mr. Barnard's Boat, Kingston

John Nixon, ca. 1760–1818

In Mr. Barnard's Boat, Kingston

undated

John Nixon A Review on Epson Downs

John Nixon, ca. 1760–1818

A Review on Epson Downs

undated

John Nixon Study for, In Mr. Barnard's Boat, Kingston

John Nixon, ca. 1760–1818

Study for, In Mr. Barnard's Boat, Kingston

undated

unknown artist Faces

unknown artist

Faces

undated

Isaac Oliver Classical Study of Three Figures

Isaac Oliver, ca. 1565–1617

Classical Study of Three Figures

undated

George Morland Peasants in a Grotto

George Morland, 1763–1804

Peasants in a Grotto

undated

Thomas Uwins The Death of - set by William Etty R.A.

Attributed to Thomas Uwins, 1782–1857

The Death of - set by William Etty R.A

undated

Matthew Haughton A Fashionable Audience

Matthew Haughton, 1768–1821

A Fashionable Audience

undated

Aubrey Vincent Beardsley The Lady at the Dressing Table

Aubrey Vincent Beardsley, 1872–1898

The Lady at the Dressing Table

ca. 1897

James Green Figures taking the Waters at the Spa at Scarborough

James Green, 1771–1834

Figures taking the Waters at the Spa at Scarborough

undated

Thomas Hearne Leeds Castle, Kent

Thomas Hearne, 1744–1817

Leeds Castle, Kent

undated

Thomas Hearne View of Bath from Spring Gardens

Thomas Hearne, 1744–1817

View of Bath from Spring Gardens

1790

Anthony Highmore Group of Three Ladies

Anthony Highmore, 1719–1799

Group of Three Ladies

undated

Samuel Prout Beauvais Cathedral

Samuel Prout, 1783–1852

Beauvais Cathedral

undated

John Frederick Lewis The Torre de Comares, Alhambra, 1835

John Frederick Lewis, 1804–1876

The Torre de Comares, Alhambra, 1835

1835

John Frederick Lewis Head of a Young Woman

John Frederick Lewis, 1804–1876

Head of a Young Woman

between 1838 and 1840

Joseph Nash Fashionable Men and Women Conversing

Joseph Nash, 1808–1878

Fashionable Men and Women Conversing

ca. 1827