Materials & Techniques: line engraving / Genre: genre subject - YCBA Collections Search Search Results

1. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:: On view at YUAG

2. A Rake's Progress, Plate VII: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

4. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

5. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

6. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

7. Tours - Looking Backwards

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. The Foundlings

Creator:: Print made by François M. la Cave, active 1726–1766
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 8 3/8 inches (12.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Rural Entertainment

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Tarentella

Creator:: Print made by John Henry Robinson, 1796–1871
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. St. Caterine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Bermerside

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Jorasse

Creator:: Print made by William Finden, 1787–1852
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Travelling Musicians

Creator:: Print made by William Finden, 1787–1852
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Children on the Sea Shore

Creator:: Print made by John Henry Robinson, 1796–1871
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; modern impression on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Heriot's Hospital

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Bemerside Tower

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Dead Eagle - Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Before Mass

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1927
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, green-beige laid paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. The Fortune Teller

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1784
Materials & Techniques:: Line engraving (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 17 1/2 inches (40.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Bookplate: The Spalding Gentlemen's Society

Creator:: Print made by George Vertue, 1684–1756
Date:: 1746
Materials & Techniques:: Mezzotint, stipple engraving, and line engravng on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 6 11/16 inches (13 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 1/8 inches (58.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. The Visionary

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 x 11 1/8 inches (42 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Deserted Village

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Hand colored stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Transparency Picture at the Bank of England

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Visiting Card of Mrs. Parker

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 x 4 1/2 inches (9.2 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Ticket for the Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 7 5/8 inches (15.2 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Ticket for the Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Ticket: For The Benefit Of Mad' Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hanover Square

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Tooting Church

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Departure (Second Class)

Creator:: Print made by William Henry Simmons, 1811–1882
Date:: 1857
Materials & Techniques:: Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 29 1/2 inches (54.6 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

Creator:: Print made by Joseph Ryland, active ca. 1775–1790
Date:: undated
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 27 1/16 inches (41.4 × 68.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Reapers

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Line engraving and stipple engraving with hand coloring
Dimensions:: Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Rural Italian's Wedding

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1775
Materials & Techniques:: Stipple engraving and line engraving
Dimensions:: Sheet: 19 3/4 x 19 1/2in. (50.2 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Worcester

Creator:: Print made by William John Cooke, 1797–1865
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Kew: The White House, Orangery, and Temple of Arethusa

Creator:: Print made by William Elliot, active 1774, died 1792
Date:: ca. 1760
Materials & Techniques:: Engraving hand colored in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 14 1/2 x 21in. (36.8 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Messrs. Morgan & Sanders, Catherine St., Strand

Creator:: Print made by unknown artist
Date:: 1809
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. George Frideric Handel

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 12 x 9 1/2in. (30.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Watercress Girl

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 5/8 inches (19.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Graces Crowning the Bust of Raphael

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Joseph Andrews

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Group Of Four Children

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca.1785
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Memorial To The Children Of James And Mary Woodmason

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. ...Tu Sola Animos, Mentemque Peruris Gloria, Te Viriden Violet, Immunemque Senectae

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Per Impegno, Per Sorza E Con Dispetto Cantatrice Gentil Studia La Parte: L'Assiste Il Protettor, Ma Men Dell'Arte, Che Della Sua Belta' Prende Diletto.

Per Impegno, Per Sorza E Con Dispetto Cantatrice Gentil Studia La Parte: L'Assiste Il Protettor, Ma Men Dell'Arte, Che Della Sua Belta' Prende Diletto.

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Memorial: Woman and Dog Grieving Over Portrait of a Man

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Memorial: Woman and Dog Grieving Over Portrait of a Man

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Man Stirring a Cauldron Over an Open Hearth

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving, stipple engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Illustration From Bell's Edition of The Poets of Great Britain

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca. 1785
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Medallion: Head of a Helmeted Warrior with a Shield decorated with a Horse

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Medea looking at her two Children, one of whom she has Murdered with a Dagger

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1777
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Vignette: Angel Holding Long Trumpets...

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ticket to Mr. Fierville's Ball

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca.1785
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Vignette: Lettered "Bono Eventui"

Creator:: Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Certificate From The Royal Academy, Appointing John Opie, As An Academician

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving
Dimensions:: Sheet: 26 3/4 x 20in. (67.9 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Cottagers at the Bottom of Mt. Vesuvius

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Funeral Card of Sir Joshua Reynolds

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

89. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

90. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving and letterpress
Dimensions:: Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Front of Wrapper for Rivers of England (Number One)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Sun Under a Cloud

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 x 21 9/16 inches (38.3 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Balcony

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1835 and 1854
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

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Search Results

1. Taj Mahal, Agra

2. A Rake's Progress, Plate VII: In Fleet Street Prison

3. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

4. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

5. The First Stage of Cruelty: Children Torturing Animals

6. The Fourth Stage of Cruelty: The Reward of Cruelty

7. Tours - Looking Backwards

8. The Foundlings

9. A View of Several Palaces at Naples at Sun Rise

10. Winchester Cross

11. A Rural Entertainment

12. The Tarentella

13. St. Catherine's Hill, near Guildford, Surrey

14. Martigny

15. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

16. Ivy Bridge, Devonshire

17. Dartmoor; Source of the Tamar and the Torridge

18. Hylton Castle, County of Durham

19. Edinburgh Castle, Vignette Title to Vol. I

20. Edinburgh from Leith Harbour, Vignette Title to Vol. II

21. St. Catherine's Hill, near Guildford, Surrey

22. St. Caterine's Hill, near Guildford, Surrey

23. Bermerside

24. Richmond Hill and Bridge, Surrey

25. Gledhow

26. Gledhow

27. Martigny

28. Jorasse

29. Travelling Musicians

30. Children on the Sea Shore

31. Bodiham Castle, Sussex

32. Edinburgh Castle, Vignette Title to Vol. I

33. Heriot's Hospital

34. Bemerside Tower

35. The Dead Eagle - Oran

36. Before Mass

37. The Fortune Teller

38. Sunshine of Love

39. Bookplate: The Spalding Gentlemen's Society

40. Mrs. Fitzherbert

41. The Visionary

42. The Sportsman

43. Oxford from North Hinksey

44. The Deserted Village

45. The Transparency Picture at the Bank of England

46. Tynemouth Castle and Priory, Northumberland

47. Visiting Card of Mrs. Parker

48. Ticket for the Benefit of Madame Banti

49. Ticket for the Benefit of Madame Banti

50. Ticket: For The Benefit Of Mad' Banti

51. Hanover Square

52. Buckingham House, St. James' Park

53. View of Lichfield, The Birth Place of Dr. Samuel Johnson

54. Tooting Church

55. The Departure (Second Class)

56. A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

57. Reapers

58. The Rural Italian's Wedding

59. Worcester

60. Kew: The White House, Orangery, and Temple of Arethusa

61. Messrs. Morgan & Sanders, Catherine St., Strand

62. George Frideric Handel

63. Part of Waterloo Bridge with the Shot Tower, &c.

64. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

65. The Watercress Girl

66. Concert Ticket: Benefit Night of Luigi Borghi

67. Concert Ticket: Benefit Night of Luigi Borghi

68. The Graces Crowning the Bust of Raphael

69. Yarmouth, Norfolk

70. Martigny

71. Joseph Andrews

72. Group Of Four Children

73. Memorial To The Children Of James And Mary Woodmason

74. ...Tu Sola Animos, Mentemque Peruris Gloria, Te Viriden Violet, Immunemque Senectae