Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
104
Francis Place, 1647–1728
Panoramic View of Carlisle
undated
105
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
106
Thomas Stothard, 1755–1834
Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
undated
107
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
undated
108
John Godfrey
Herstmonceux Castle, Sussex Pl. 3
undated
109
Print made by William Lowry
Messrs Telford & Douglass's Design of a Cast Iron Bridge of a Single Arch, Proposed to be Erected Across the River Thames
1800
110
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
111
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
112
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
113
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
114
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
115
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
116
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
117
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
118
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
119
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
120
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
121
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
122
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
123
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
124
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
125
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
126
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
127
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
128
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
129
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
130
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
131
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
132
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
133
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
134
Henry Shaw, 1800–1873
Greek Armour
undated
135
unknown artist
Plan and Apse of Roman Church
undated
136
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
137
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
138
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
139
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
140
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
141
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
142
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
143
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
144
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
145
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
146
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
undated
147
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
148
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
149
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
150
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
151
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
152
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
153
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
154
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
155
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
156
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
157
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
158
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
159
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
160
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
161
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
162
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
163
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
164
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
165
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
166
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
167
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
168
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
169
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
170
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
171
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
172
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
173
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
174
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
175
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
176
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
177
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
178
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
undated
179
Thomas Miles Richardson Sr., 1784–1848
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
180
Print made by James T. Willmore, 1800–1863
Barnard Castle
1831
181
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
182
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
183
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
184
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment