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Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
James H. Kernot Wolf's Hope
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834, reprinted 1851
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
William Miller Loch Achray (Vignette)
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1853 reprint
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
Thomas Cook David Garrick in the Character of Richard III
Print made by Thomas Cook, 1744–1818
David Garrick in the Character of Richard III
1798
Richard Earlom Angelica and Medoro
Print made by Richard Earlom, 1743–1822
Angelica and Medoro
1768
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Dame Paula Rego Jane Eyre
Dame Paula Rego, 1935–2022
Jane Eyre
2001 to 2002
Dame Paula Rego Up the Tree
Dame Paula Rego, 1935–2022
Up the Tree
2002
Dame Paula Rego Crumpled
Dame Paula Rego, 1935–2022
Crumpled
2001 to 2002
Dame Paula Rego In the Comfort of the Bonnet
Dame Paula Rego, 1935–2022
In the Comfort of the Bonnet
2001 to 2002
Dame Paula Rego Loving Bewick
Dame Paula Rego, 1935–2022
Loving Bewick
2001 to 2002
Dame Paula Rego Mr. Rochester
Dame Paula Rego, 1935–2022
Mr. Rochester
2002
Dame Paula Rego Undressing
Dame Paula Rego, 1935–2022
Undressing
2002
Richard Hamilton The Transmogrifications of Bloom
Print made by Richard Hamilton, 1922–2011
The Transmogrifications of Bloom
1984 to 1985
Richard Hamilton How a Great Daily Organ is Turned Out
Print made by Richard Hamilton, 1922–2011
How a Great Daily Organ is Turned Out
1990
Richard Hamilton Bronze by Gold
Print made by Richard Hamilton, 1922–2011
Bronze by Gold
1985 to 1987
Richard Hamilton The Heaventree of Stars
Print made by Richard Hamilton, 1922–2011
The Heaventree of Stars
1998
Marie Harnett Costume Party
Marie Harnett, born 1983
Costume Party
2015
Lewis Morley Peter O'Toole in 'Baal'
Lewis Morley, 1925–2013
Peter O'Toole in 'Baal'
1963
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
Richard Hamilton Leopold Bloom
Print made by Richard Hamilton, 1922–2011
Leopold Bloom
1983
Richard Hamilton In Horne's House
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
Dame Paula Rego Come to Me
Dame Paula Rego, 1935–2022
Come to Me
2001 to 2002
Dame Paula Rego Biting
Dame Paula Rego, 1935–2022
Biting
2002
Richard Hamilton He Foresaw his Pale Body
Print made by Richard Hamilton, 1922–2011
He Foresaw his Pale Body
1990
Lewis Morley Front of House, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House, Hadrian the Seventh
1960s
Lewis Morley Gordon Jackson and Alec Guinness in 'Wild Child'
Lewis Morley, 1925–2013
Gordon Jackson and Alec Guinness in 'Wild Child'
1967
Lewis Morley Council of Love Contact Sheet
Lewis Morley, 1925–2013
Council of Love Contact Sheet
1970
Lewis Morley Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Lewis Morley, 1925–2013
Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
1960s
Lewis Morley Front of House, Saint Joan of the Stockyards
Lewis Morley, 1925–2013
Front of House, Saint Joan of the Stockyards
1960s
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
unknown artist Birth of Shakespeare
unknown artist
Birth of Shakespeare
undated
unknown artist Scene from Macbeth: Apparition of Banquo
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
unknown artist Apparition of Banquo's Ghost: Banquet Scene from MacBeth
unknown artist
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
undated
unknown artist Scene from Midsummer's Night Dream? (451a)
unknown artist
Scene from Midsummer's Night Dream? (451a)
undated
unknown artist Awakening of Titania
unknown artist
Awakening of Titania
undated
unknown artist Titania, from A Midsummer's Night Dream
unknown artist
Titania, from A Midsummer's Night Dream
undated
unknown artist Apparition: Banquo?
unknown artist
Apparition: Banquo?
undated
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
unknown artist Banquo's Ghost?
unknown artist
Banquo's Ghost?
undated
unknown artist Scene from MacBeth: Banquo?
unknown artist
Scene from MacBeth: Banquo?
undated
Lewis Morley Front of House Display, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House Display, Hadrian the Seventh
1960s
Richard Hamilton Finn MacCool
Print made by Richard Hamilton, 1922–2011
Finn MacCool
1983
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
Thomas A. Woolnoth Mrs. W. West as Cordelia
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
Dame Elisabeth Frink Wife of Bath's Tale
Print made by Dame Elisabeth Frink, 1930–1993
Wife of Bath's Tale
1972
Dame Elisabeth Frink The Miller's Tale I
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale I
1974
Dame Elisabeth Frink Prologue
Print made by Dame Elisabeth Frink, 1930–1993
Prologue
1972
Dame Elisabeth Frink The Nun's Priest Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Nun's Priest Tale
1972
Dame Elisabeth Frink The Miller's Tale II
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale II
1974
Dame Elisabeth Frink The Franklin's Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Franklin's Tale
1972
Dame Elisabeth Frink The Reeve's Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Reeve's Tale
1972
Joseph Slater Robin Hood and Clarinda Hunting Deer
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
unknown artist When Swift They Saw John Gilpin Ride, Bare-Headed as Before
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
Joshua Cristall Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)
Abraham van Diepenbeeck, 1596–1675
Doctor Ass (A Satire on the Law)
undated
Edward Burne-Jones The Briar Wood
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
Edward Burne-Jones The Council Chamber
After Edward Burne-Jones, 1833–1898
The Council Chamber
1892
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
George Chinnery Illustration to Fielding's Amelia
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
undated
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated