Materials & Techniques: aquatint / Collection: Prints and Drawings / Image Available: Available / Work Type: intaglio print

1. Junction of Severn and Wye

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A General View of Paris, taken from Chaillot 1803.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. View of the Pont St. Michael, taken from the Pont Neuf

Creator:: Etched by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Creator:: Attributed to John Hassell, 1767–1825
Date:: 1810
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1815
Materials & Techniques:: Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Lady Dashwood & Child

Creator:: Print made by Charles Howard Hodges, 1764–1837
Date:: 1785
Materials & Techniques:: Mezzotint, 3rd state with aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 × 10 7/16 inches (35.6 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Elizabeth Alexander

Creator:: Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:: 1806
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

26. Miss Mary Palmer

Creator:: Joseph Collyer, 1748–1827
Date:: 1785
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/16 × 3 7/8 inches (13.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Mrs. Robinson

Creator:: Print made by William Birch, 1755–1834
Date:: 1792
Materials & Techniques:: Stipple engraving and acquatint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 × 5 7/16 inches (17.8 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Pass-Room Bridewell

Creator:: John Hill, 1770–1850
Date:: 1808
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

29. West India Docks

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

30. Round & Sound, Five Pence a Pound, Duke Cherries

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Strawberrys, Scarlet Strawberries.

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Knives, Scissars, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Fresh Gathered Peas, Young Hastings

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Old Chairs to Mend

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 3/8 inches (43.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Costume of the Reign of King Henry III, 1250

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1814
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Military Costumes of the Reign of King Henry VI, 1447

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1812
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Contemplation

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1790
Materials & Techniques:: Stipple engraving, mezzotint, etching, and aquatint on moderately thick, slightly textured, laid paper
Dimensions:: Sheet: 13 7/8 × 11 1/4 inches (35.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Contemplation

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1790
Materials & Techniques:: Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 15/16 × 11 7/16 inches (35.4 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1785
Materials & Techniques:: Stipple engraving, etching, and aquatint on thick, rough, cream laid paper
Dimensions:: Sheet: 16 11/16 × 11 5/16 inches (42.4 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Flight from Belgium

Creator:: William Lee Hankey, 1869–1952
Date:: 1914
Materials & Techniques:: Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. Milk below Maids

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Two Bunches of Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 1/4 inches (42.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Boys Playing at Peg Top

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1786
Materials & Techniques:: Line engraving, etching, and aquatint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 5/8 inches (47.9 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. The Girl Sleeping

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Sheep in Twilight

Creator:: Print made by John Copley, 1875–1950
Date:: 1922
Materials & Techniques:: Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection.

50. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:: Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Belle of the Village

Creator:: Print made by George Baxter, 1804–1867
Date:: 1854
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:: Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lleweney Bleach Works

Creator:: Thomas Malton, 1726–1801
Date:: 1798
Materials & Techniques:: Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Bride, Paul and Virginia, the Chalees Satoon, East India

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:: Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Oliver Cromwell, P.R.O.C.

Creator:: Print made by Jan van de Velde IV, ca. 1620–1686
Date:: ca. 1655
Materials & Techniques:: Line engraving, stipple engraving and aquatint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 × 12 3/16 inches (40.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Oliver Cromwell, P.R.O.C.

Creator:: Print made by Jan van de Velde IV, ca. 1620–1686
Date:: ca. 1655
Materials & Techniques:: Line engraving, stipple engraving, and aquatint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 13 1/2 inches (44.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Do You Want Any Matches?

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Portrait of Mrs. Elizabeth Stanhope

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1790
Materials & Techniques:: Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 × 10 1/16 inches (33.5 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Malmsbury Abbey

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View of St. Katharine's Dock in the Month of January, 1828

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 3/16 × 27 7/8 inches (61.4 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Holy River

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1912
Materials & Techniques:: Etching and drypoint, with aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Creator:: Richard Livesay, 1753–1826
Date:: 1799
Materials & Techniques:: Aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Cambridge University: Emmanuel College

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 26 5/16 inches (49.5 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The East Front of the Library of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Mamma at Romps

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Visit to the Convent at Amiens

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 13 1/2 inches (30.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Howe's Victory off Ushant

Creator:: Robert Dodd, 1748–1816
Date:: 1795
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 30 1/8 inches (53.1 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Mill by the Sea

Creator:: Print made by Charles Henry Baskett, 1872–1953
Date:: 1914
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 12 11/16 inches (18.6 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

81. Christ Church Cathedral, Oxford

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Clare Hall, Cambridge

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Hand colored, aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand colooring, later state, 1837 edition
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Hand colored, aquatint, First published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Teignmouth

Creator:: Print made by unknown artist
Date:: 1836
Materials & Techniques:: Aquatint, Late state, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Promenade on the Ramparts of Nantes

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Landscape

Creator:: Marie C. Prestel, 1747–1794
Materials & Techniques:: Sepia aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 26 5/16 inches (50.2 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Rocket Practice in the Marshes

Creator:: John Grant, Died 1873
Date:: 1845
Materials & Techniques:: Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 17 11/16 inches (35.3 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Harwich

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1841
Materials & Techniques:: Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1857
Materials & Techniques:: Aquatint, hand-colored on thick, smooth, beige wove paper
Dimensions:: Sheet: 22 7/16 × 30 3/8 inches (57 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Sacra Christi Familia

Creator:: Print made by James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Materials & Techniques aquatint

Collection Prints and Drawings

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1. Junction of Severn and Wye

2. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

3. View of the City with the Louvre & Taken from Pont Marie

4. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

5. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

6. A General View of Paris, taken from Chaillot 1803.

7. View of the Village of Chaillot & C. taken from Pont de la Concorde

8. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

9. View of the Gate of St. Denis Taken from the Suburbs.

10. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

11. View of the Pont St. Michael, taken from the Pont Neuf

12. Views of the Pantheon, taken from the Arsenal

13. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

14. View of St. Cloud and Mt. Calvary taken from Pont de Seve

15. View of the Palace and Village of Choisi, on the Banks of the Siene

16. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

17. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

18. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

19. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

20. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

21. Lady Dashwood & Child

22. The Watermill Above the Bridge at Charenton

23. Crofton Hall, Yorkshire

24. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

25. Elizabeth Alexander

26. Miss Mary Palmer

27. Mrs. Robinson

28. Pass-Room Bridewell

29. West India Docks

30. Round & Sound, Five Pence a Pound, Duke Cherries

31. A New Love Song, Only ha'Penny a Piece

32. Strawberrys, Scarlet Strawberries.

33. New Mackrel, New Mackrel

34. Knives, Scissars, and Razors to Grind

35. Fresh Gathered Peas, Young Hastings

36. Old Chairs to Mend

37. Hot Spice Gingerbread, Smoking Hot!

38. Costume of the Reign of King Henry III, 1250

39. Military Costumes of the Reign of King Henry VI, 1447

40. Contemplation

41. Contemplation

42. Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas

43. The Flight from Belgium

44. Milk below Maids

45. Two Bunches of Penny Primroses, Two Bunches a Penny

46. Sweet China Oranges, Sweet China

47. Boys Playing at Peg Top

48. The Girl Sleeping

49. Sheep in Twilight

50. Balmoral Castle

51. Balmoral Castle

52. The Belle of the Village

53. Lleweney Bleach Works

54. Balmoral Castle

55. Funeral of the Late Duke of Wellington

56. The Bride, Paul and Virginia, the Chalees Satoon, East India

57. Oliver Cromwell, P.R.O.C.

58. Oliver Cromwell, P.R.O.C.

59. Do You Want Any Matches?

60. Portrait of Mrs. Elizabeth Stanhope

61. Malmsbury Abbey

62. Tours, looking backwards

63. A View of St. Katharine's Dock in the Month of January, 1828

64. The Holy River

65. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

66. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

67. Cambridge University: Emmanuel College

68. The East Front of the Library of Trinity College in the University of Cambridge

69. South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

70. Mamma at Romps

71. Lincoln Cathedral

72. Returning from a Review...Paris