Materials & Techniques: hand coloring / Work Type: intaglio print / Image Use: Free to Use

Attributed to John Hassell, 1767–1825

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

1810

Print made by James Walker, 1748–1808

Peterborough

1796

John Hill, 1770–1850

Pass-Room Bridewell

1808

John Hill, 1770–1850

Dining Hall, Asylum

1808

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Charles Turner, 1774–1857

Two Durham Oxen

1828

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match at Lucknow

1792

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

Print made by Daniel Orme, 1766–1837

The Celebrated Victory ... on the Glorious First of June 1794

1795

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by unknown artist

The Young Roscius

1804

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Luigi Schiavonetti, 1765–1810

The Mask

1790

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

John Goldar, 1729–1795

William Dodd, L. L. D

between 1775 and 1795

Thomas Malton, 1726–1801

Lleweney Bleach Works

1798

William Daniell, 1769–1837

A View of the East India Docks

1808

after Thomas Rowlandson, 1756–1827

Billingsgate Market

1808

Francesco Bartolozzi, 1728–1815

Accurate Perspective View of the Outside of the Royal Exchange in London

1788

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Print made by William Ward, 1766–1826

A Young Lady Encouraging the Low Comedian

1787

John Thomas Smith, 1766–1833

The South Entrance of Duke's Place

1814

Daniel Havell, 1785–1826

A View of the Bank of England

1816

Print made by Thomas Malton the Younger, 1748–1804

The Bank

1781

unknown artist

North Front of the Bank

1797

unknown artist

The Bank of England in ye Poultry

1724

Thomas Malton, 1726–1801

Principal Front of the Bank of England

1790

unknown artist

The Bank

1792

Print made by Henry Wallis, 1805–1890

The Bank of England and Royal Exchange, Cornhill

1840

unknown artist

South Front of the Bank

1798

Joseph Constantine Stadler, active 1780–1812

Battersea, Chelsea and London from Mr. Rucker's Villa

1795

unknown artist

The North View of Battersea

undated

Sutton Nicholls, active 1725

Southampton or Bloomsbury Square

1754

Print made by Alfred W. Cooper, active 1850–1901

Christmas (tail piece)

undated

Print made by William Elliot, active 1774, died 1792

Kew: The White House, Orangery, and Temple of Arethusa

ca. 1760

J. Miller, active 1769–1825

The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

1762

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Gerard van der Gucht, 1696–1776

Fort St. George

1736

Print made by Gerard van der Gucht, 1696–1776

Tellicherry

1736

Francesco Bartolozzi, 1728–1815

Reapers

1790

Print made by Joseph Samuel Alpenny, 1787–1858

Two Travellers Watering Three Horses

undated

Etched by Thomas Rowlandson, 1756–1827

French Barracks

1791

Etched by Thomas Rowlandson, 1756–1827

English Barracks

1791

Print made by William O'Keefe, active 1794–1807

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

1796

Anthony Walker, 1726–1765

A View of the New Bridge Over the Thames at Walton in Surrey

1750

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

Richard Bernard Godfrey, 1728–op.1794

Ships in Distress

1796

Charles Tomkins, 1757–1823

Encampment at Farnham near St. Edmund's Bury

1782

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by Robert Havell, 1769–1832

Seran Raja's Palace

1820

Print made by William Heath, 1795–1840

Who'll Have a Crown - Now's Your Time

1830

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by John Raphael Smith, 1752–1812

Serena

1782

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by James Caldwall, 1739–1819

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

Print made by Samuel Halle, 1824–1889

Carl August Struensee von Carlsbach

undated

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

Print made by Joseph Constantine Stadler, active 1780–1812

The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

1800

Print made by Joseph Wood, 1720–1763 or 1764

The View from One Tree Hill in Greenwich Park

1744