View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
210
James Mitan, 1776–1822
The Pavilion & Steyne at Brighton
1806
211
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
212
Robert Pollard, 1755–1838
Vaux-Hall
1785
213
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
214
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
215
William Ellis, 1747–1810
The New Meeting
1792
216
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
217
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
218
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
219
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
220
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
221
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
222
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
223
Print made by James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
224
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
225
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
226
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
227
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
228
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
229
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
230
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
231
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
232
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
233
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
234
Frederick Christian Lewis the Elder, 1779–1856
Tivoli
1800
235
Print made by William Walcot, 1874–1943
The Library of San Marco, Venice
1920
236
Print made by William Walcot, 1874–1943
Park Avenue, New York
1923
237
Print made by William Walcot, 1874–1943
Arc de Triomphe, Paris
1918
238
Print made by William Walcot, 1874–1943
Villa Quintilii
1921
239
Print made by William Walcot, 1874–1943
Forth Bridge, Scotland
1918
240
Print made by William Walcot, 1874–1943
Back Entrance to Solomon's Palace
1927
241
Print made by William Walcot, 1874–1943
House of Sallust
1920
242
Print made by William Walcot, 1874–1943
Caesar in Egypt
1926
243
Print made by William Walcot, 1874–1943
Ludgate Hill
1921
244
Print made by William Walcot, 1874–1943
Caesar in Egypt
1926
245
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
246
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
247
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
248
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
249
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
250
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
251
Charles Tomkins, 1757–1823
Encampment at Farnham near St. Edmund's Bury
1782
252
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
253
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
254
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
255
William Ellis, 1747–1810
Beddington
1792
256
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
257
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
258
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
259
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
260
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
261
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
262
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
263
Print made by James Barry, 1741–1806
Sacra Christi Familia
undated
264
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
265
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
266
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
267
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
268
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
269
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
270
Marie C. Prestel, 1747–1794
A Country Churchyard. Verse from Gray's Elegy
1790
271
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
272
William Johnstone White, active 1804–died c.1870
Representation of the Festival for the Return of Peace
1814
273
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
274
Thomas Malton the Younger, 1748–1804
Jesus College in the University of Cambridge
1799
275
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
276
Thomas Malton the Younger, 1748–1804
Cambridge University: Emmanuel College
1799
277
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
278
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
279
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
280
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
281
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
282
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
283
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
284
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
285
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
286
Print made by Bradshaw & Blacklock, active ca.1850