Materials & Techniques: etching (printing process) and wove paper / On-site Access: Accessible by appointment in the Study Room / Associated Places: England / Subject Terms: women

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Materials & Techniques etching (printing process)

Materials & Techniques wove paper

On-site Access Accessible by appointment in the Study Room

Associated Places England

Subject Terms women

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Charles Heath, 1785–1848

Green Park

1825

Charles Heath, 1785–1848

Tower Hill

1825

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Frederick James Havell, 1801–1840

The Stone Bow, Lincoln

1836

John Greig, active 1803–1853

Cloisters of Worcester Cathedral

1807

Print made by Thomas Bonnor, ca. 1740–ca. 1812

St. Martin's Church Westminster

1810

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Thomas Higham, 1796–1844

Red-Scar, the Residence of William Cross, Esquire

1832

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Print made by Ebenezer Challis, active 1837–1859

Entrance to Lincoln Cathedral

1837

Print made by unknown artist

Boston Church and Grand Sluice, Lincolnshire

undated

Print made by James Basire the younger, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

John Hill, 1770–1850

Pass-Room Bridewell

1808

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

John Hill, 1770–1850

Dining Hall, Asylum

1808

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

Thomas Higham, 1796–1844

Benacre Hall, Suffolk

1819

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Print made by Robert Spence, 1871–1964

Conversion of Elizabeth Trelawney

between 1897 and 1909

Print made by Robert Havell, 1769–1832

View of the Front of the New Public Buildings, Guildford

1819

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

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