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Creator Blake, William, 1757–1827

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake Jerusalem, Plate 10, "Into the Furnaces...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 10, "Into the Furnaces...."

1804 to 1820

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 17, "His Spectre divides...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 17, "His Spectre divides...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 26, "Such Visions Have...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 26, "Such Visions Have...."

1804 to 1820

William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."

1804 to 1820

William Blake Jerusalem, Plate 35, "Then the Divine hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820

William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 36, "Reuben returnd to his place...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 42, "Thus Albion sat...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 42, "Thus Albion sat...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 48, "These were his last words...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 11 (Bentley 17)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake Beggar's Opera, Act III

William Blake, 1757–1827

Beggar's Opera, Act III

1790

William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

Text by William Blake, 1757–1827

A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

1809

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme

William Blake, 1757–1827

Illustrations of Eclogue I, Introductory, The Giant Polypheme

1821

William Blake Illustrations of Imitation of Eclogue I, Page 14

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 14

1821

William Blake Illustrations of Imitation of Eclogue I, Page 15

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 15

1821

William Blake Illustrations of Imitation of Eclogue I, Page 17

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 17

1821

William Blake Caius Julius Cæsar

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake Theocritus

William Blake, 1757–1827

Theocritus

1821

William Blake Epicurus

William Blake, 1757–1827

Epicurus

1821

William Blake Illustrations of Imitation of Eclogue I, Page 16

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 16

1821

William Blake Illustrations of Imitation of Eclogue I, Page 18

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 18

1821

William Blake Octavius Augustus Cæsar

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake From Antique Coins

William Blake, 1757–1827

From Antique Coins

1821

William Blake Europe. A Prophecy, 1793 (printed 1795)

William Blake, 1757–1827

Europe. A Prophecy, 1793 (printed 1795)

1793, printed 1795

William Blake Rev. John Caspar Lavater

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 86, "I see thy Form...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 86, "I see thy Form...."

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 90, "The Feminine separates...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 90, "The Feminine separates...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

William Blake, 1757–1827

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 61, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 61, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798