<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Genre literary theme

Remove constraint Genre: literary theme

Search Results

Vanessa Bell An Unwritten Novel
Print made by Vanessa Bell, 1879–1961
An Unwritten Novel
1921
Vanessa Bell Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
Vanessa Bell, 1879–1961
Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
ca. 1941
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Aesacus and Hesperie
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth at the Witches' Cave: Second Visit
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Titania's Attendants Chasing Bats
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Unidentified Subjects
George Romney, 1734–1802
Unidentified Subjects
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
William Blake The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
William Blake What is Man!, Frontispiece; Plate 1
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 14 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794