Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
6
Francesco Bartolozzi, 1728–1815
The Death of Arcite
1790
7
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
8
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
9
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
10
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
11
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
12
William Finden, 1787–1852
Children Swinging
1834
13
William Finden, 1787–1852
Lady Jane Grey
1834
14
William Finden, 1787–1852
An Alcove
1834
15
William Finden, 1787–1852
Shepherds
1834
16
William Finden, 1787–1852
The Mask
1834
17
William Finden, 1787–1852
An Arabesque
1834
18
William Finden, 1787–1852
The Bird's Nest
1834
19
William Finden, 1787–1852
An Arabesque
1834
20
William Finden, 1787–1852
A Voyage of Discovery
1834
21
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
22
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
23
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
24
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
25
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
26
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
27
George Vertue, 1684–1756
Sir John Suckling
1744
28
Simon François Ravenet, 1706–1774
Isaac Watts
undated
29
Anthony Cardon, 1772–1813
Dr. Joseph Warton
undated
30
Niccoló Schiavonetti, 1771–1813
Joseph Warton
1807
31
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
32
George Vertue, 1684–1756
Sir Philip Sidney
1741
33
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
34
George Vertue, 1684–1756
Edmund Spenser
1727
35
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
36
unknown artist
Thomas Percy, Bishop of Dromore
undated
37
Benjamin Smith, 1775–1833
The Alto Relievo
1796
38
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
39
Francesco Bartolozzi, 1728–1815
February
1793
40
Francesco Bartolozzi, 1728–1815
August
1793
41
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
42
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
43
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
44
Francesco Bartolozzi, 1728–1815
Lodona
1792
45
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
46
Francesco Bartolozzi, 1728–1815
June
1789
47
Francesco Bartolozzi, 1728–1815
April
1790
48
Francesco Bartolozzi, 1728–1815
October
1793
49
Francesco Bartolozzi, 1728–1815
September
1793
50
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
51
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
52
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
53
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
54
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
55
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
56
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
57
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
58
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
59
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
60
Francesco Bartolozzi, 1728–1815
Alcander and Nerina
1784
61
Francesco Bartolozzi, 1728–1815
Adelaide
1798
62
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
63
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
64
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
65
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
66
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
67
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
68
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
69
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
70
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
71
Francesco Bartolozzi, 1728–1815
Sophia and Olivia
1784
72
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
73
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
74
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
75
Francesco Bartolozzi, 1728–1815
Fonrose
1798
76
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
77
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
78
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
79
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
80
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
81
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
82
Francesco Bartolozzi, 1728–1815
The Death of Alcestis
1796
83
Francesco Bartolozzi, 1728–1815
Adelaide
1798
84
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
85
Francesco Bartolozzi, 1728–1815
Fonrose
1798
86
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
87
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
88
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
89
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
90
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
91
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
92
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
93
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
94
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
95
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
96
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
97
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
98
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
99
Francesco Bartolozzi, 1728–1815
Cecilia
1783
100
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10