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Materials & Techniques stipple engraving
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1
- The Cottagers
- 1794
2
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
3
- Miss Elizabeth Beauclerc as 'Una'
- 1782
4
- Mrs. Jordan in the Character of the Romp
- 1788
5
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
6
- The Death of Arcite
- 1790
7
- Cymon and Iphigenia
- 1797
8
- Sylvia
- 1786
9
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
10
- Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
- 1797
11
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
12
- Children Swinging
- 1834
13
- Lady Jane Grey
- 1834
14
- An Alcove
- 1834
15
- Shepherds
- 1834
16
- The Mask
- 1834
17
- An Arabesque
- 1834
18
- The Bird's Nest
- 1834
19
- An Arabesque
- 1834
20
- A Voyage of Discovery
- 1834
21
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
22
- Taming Of The Shrew, Act III, Scene II
- 1795
23
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
24
- The Three Witches
- 1786
25
- "Tempest", Act I, Scene I
- 1797
26
- The Fall of Agandecca
- 1783
27
- Sir John Suckling
- 1744
28
- Isaac Watts
- undated
29
- Dr. Joseph Warton
- undated
30
- Joseph Warton
- 1807
31
- Mrs. Robinson
- 1792
32
- Sir Philip Sidney
- 1741
33
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
34
- Edmund Spenser
- 1727
35
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
36
- Thomas Percy, Bishop of Dromore
- undated
37
- The Alto Relievo
- 1796
38
- Reverend Hugh Blair, D.D
- 1801
39
- February
- 1793
40
- August
- 1793
41
- Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
- 1774
42
- Joseph Andrews
- 1781
43
- Sophia, Honour, and the Chambermaid
- 1780
44
- Lodona
- 1792
45
- The Freeing of Amoret
- 1792
46
- June
- 1789
47
- April
- 1790
48
- October
- 1793
49
- September
- 1793
50
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
51
- Palamon and Arcite
- 1790
52
- Angelica And Medora
- 1787
53
- Rinaldo et Armida
- 1785
54
- Morte de Clorinda
- 1785
55
- The Tempest, Act V, Scene I
- 1795
56
- Taming of the Shrew, Act II Scene II
- 1795
57
- Jane Shore
- 1790
58
- Tancred and Clorinda
- 1785
59
- The Death of Cora
- 1788
60
- Alcander and Nerina
- 1784
61
- Adelaide
- 1798
62
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
63
- Ticket for the Benefit of Madame Banti
- 1797
64
- Ticket: For The Benefit Of Mad' Banti
- 1795
65
- Mrs. Abington as Thalia
- ca. 1783
66
- Miss Anna Brunton
- 1785
67
- Alphonso and Aciloe
- 1788
68
- Griselda Returning to her Father
- after 1785
69
- Gualtherus and Griselda
- 1784
70
- Celadon and Amelia
- 1782
71
- Sophia and Olivia
- 1784
72
- Maria of Moulines
- 1784
73
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
74
- John Henderson as Iago
- before 1786
75
- Fonrose
- 1798
76
- Ticket for the Benefit of Madame Banti
- 1797
77
- Queen Katherine's Dream
- 1788
78
- Shakespeare's Tempest Act IV Scene I. Prospero's Cell
- 1800
79
- My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
80
- Jane Shore
- 1790
81
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
82
- The Death of Alcestis
- 1796
83
- Adelaide
- 1798
84
- Concert Ticket For The Benefit of Madame Banti
- 1795
85
- Fonrose
- 1798
86
- John Henderson as Iago
- 1786
87
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
88
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
89
- "This is fairy gold, boy, and will prove so"
- 1804
90
- Mrs. Abington as Thalia
- 1783
91
- Ticket: Anacreontic Society Meeting
- 1773
92
- Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
- 1745
93
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
94
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
95
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
96
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
97
- Twelfth Night, Act V, Scene I: The Street
- 1803
98
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
99
- Cecilia
- 1783
100
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785