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Credit Line Yale Center for British Art, Paul Mellon Collection

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Creator Blake, William, 1757–1827

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William Blake Virgin and Child
William Blake, 1757–1827
Virgin and Child
1825
Not on view
William Blake The Horse
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake Chaucer's Canterbury Pilgrims
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts
1797
William Blake Book of Job, Plate 10, Job Rebuked by His Friends
William Blake, 1757–1827
Book of Job, Plate 10, Job Rebuked by His Friends
1825
William Blake For Children. The Gates of Paradise, London, by William Blake
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake Illustrations of the Book of Job
William Blake, 1757–1827
Illustrations of the Book of Job
1825
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake The First Book of Urizen, Plate 11 (Bentley 17)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
William Blake The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 15 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 16)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
William Blake The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
1794
William Blake The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Theocritus
William Blake, 1757–1827
Theocritus
1821
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake Epicurus
William Blake, 1757–1827
Epicurus
1821
William Blake The Book of Thel
William Blake, 1757–1827
The Book of Thel
1789
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake The [First] Book of Urizen
William Blake, 1757–1827
The [First] Book of Urizen
1794
William Blake For the Sexes: The Gates of Paradise, London, 1826
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Book of Job, Plate 9, The Vision of Eliphaz
William Blake, 1757–1827
Book of Job, Plate 9, The Vision of Eliphaz
1825
William Blake Book of Job, Plate 11, Job's Evil Dreams
William Blake, 1757–1827
Book of Job, Plate 11, Job's Evil Dreams
1825
William Blake Book of Job, Plate 12, The Wrath of Elihu
William Blake, 1757–1827
Book of Job, Plate 12, The Wrath of Elihu
1825
William Blake Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
William Blake, 1757–1827
Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
1825
William Blake Book of Job, Plate 14, When the Morning Stars Sang Together
William Blake, 1757–1827
Book of Job, Plate 14, When the Morning Stars Sang Together
1825
William Blake Book of Job, Plate 15, Behemoth and Leviathan
William Blake, 1757–1827
Book of Job, Plate 15, Behemoth and Leviathan
1825
William Blake Book of Job, Plate 16, The Fall of Satan
William Blake, 1757–1827
Book of Job, Plate 16, The Fall of Satan
1825
William Blake Book of Job, Plate 17, The Vision of Christ
William Blake, 1757–1827
Book of Job, Plate 17, The Vision of Christ
1825
William Blake Book of Job, Plate 18, Job's Sacrifice
William Blake, 1757–1827
Book of Job, Plate 18, Job's Sacrifice
1825
William Blake Book of Job, Plate 19, Every One also Gave Him a Piece of Money
William Blake, 1757–1827
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
1825
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
William Blake Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797